Fodor's Hamlet
Visually mesmeric with countless lateral subplots set in a a nightmarish no man's land: Shakespeare in the Extreme!
Set in a surrealistic, nightmarish, Kafkaesque no man's land, this version of the famous Shakespeare play centres on the ghostly, supernatural aspects of the play. The text is the original Shakepearean, but the characters' personalities are changed, so for example, Polonius (originally a doddering old man) becomes Polonia a scheming femme fatale, who is plotting to get her younger sister Ophelia (who she controls through the use of addictive drugs) married into the royal family. It's dramatically shot, and is not so much a modern version (there are no references or images of the modern world at all) as a lateral concept.
- Written by Alexander Fodor
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William Belchambers | Hamlet |
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Max Davis | Osric |
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Alexander Fodor | The Priest |
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James Frail | The Ghost |
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Alan Hanson | Claudius |
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Keaton Makki | Marchellus |
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Thomas Matthews | Bernardo |
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Patrick Monckeberg | Assassin |
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Simon Nader | Guildenstern |
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Lydia Piechowiak | Polonia |
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Katie Reddin-Clancy | Horatio |
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Tallulah Sheffield | Ophelia |
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Di Sherlock | Gertrude |
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Hanne Steen | Reynaldo |
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David Thompson | The Gravedigger |
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Jason Wing | Laertes |
| Director | Alexander Fodor |
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| Writer | Alexander Fodor, William Shakespeare | |
| Producer | Paul Allan-Slade, Lee Thomas, Parvez Zabier | |
| Musician | Joe Lyske | |
| Photography | Diego Indraccolo | |
| Nr Discs | 1 |
|---|---|
| Layers | Single side, Single layer |
| Watched | |
|---|---|
| Index | 923 |
| Added Date | May 19, 2016 13:52:59 |
| Modified Date | Oct 13, 2020 19:17:06 |
Set in a surrealistic, nightmarish, Kafkaesque no man's land, this version of the famous Shakespeare play centres on the ghostly, supernatural aspects of the play. The text is the original Shakepearean, but the characters' personalities are changed, so for example, Polonius (originally a doddering old man) becomes Polonia a scheming femme fatale, who is plotting to get her younger sister Ophelia (who she controls through the use of addictive drugs) married into the royal family. It's dramatically shot, and is not so much a modern version (there are no references or images of the modern world at all) as a lateral concept.
- Written by Alexander Fodor