400
700
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Gold Medal Showmanship
Burling Hull (Volta)

Gold Medal Showmanship

Micky Hades Enterprises
10

Genre

  • Conjuring

Subject

  • Magic tricks

Plot

Hull, Burling: Gold Medal Showmanship for Magicians and Mentalists
©1971 Micky Hades Publications, Canada
Softcover, comb-bound 8.5x11", 94 pages

Comments:

Contents (from book ToC):
4 Showmanship in Stage Presence
4 Point of Carriage \
5 Arriving at Center of Stage
6 Bowing
6 Speaking Technique
6 Keeping Voice Volume
7 Clarity and Distinctness to Your Spoken Words
8 - Hull's Trick Method No. 2
9 A Little Tip on Deportment
10 Gestures
10 Mannerism
10 The Mysterious Style
10 - Dress
The Brilliant Style
11 - Dress
12 Mysterious Entrance
13 Rapid Entrance

14 Showmanship In Routining Your Act
14 Banquets
17 Fraternal and Business Conventions
19 Children's and School Entertainments
20 All Men Audiences
20 Smart Tricks for Men Audiences
21 Church Entertainments
22 School Shows and. Assembly Shows
23 Private Entertainments
23 An Inexpensive Opening
24 "Bird Magic"

26 Techniques For Presenting 'Comedy Magic'
31 Presentation for Bengal Net
32 Novelty Idea for "Production" Tricks

33 Showmanship For Stage Illusions
34 Selection
35 Stage Version of Shooting Through a Woman
37 Stage Illusions for the 1, 2 or 3 Performer Show
38 Comedy Presentation of Non-Cabinet Sewing
40 - Additional Ideas
41 Original Patter and Presentation for the "Cremation"
42 Sacrificial Cremation - New Model
43 - Comedy Presentation

44 Showmanship For The Escape Artist
45 Upsidedown Outdoor Publicity Escape
46 Escape Artist' s Technique
49 Stage Showmanship
49 Volta Routine
52 Houdini's Showmanship in Escapes
54 Houdini Interviewed

57 Showmanship For Mentalists
58 In Cocktail Lounges
59 Dramatizing the Mental Act
63 High Ethics in Question Answering
64 Spreading Inspiration and a Helping Hand
65 Be Proud of Your Work and Do It Right
66 Can a "Question Answering" Act be Performed?
68 Professional Mentalism Do's and Dont's
69 Volta Technique of Deportment for "After the Show"
70 What Methods to Use
70 Publicity to Help You Get Started

80 Showmanship In Selling Your Act
84 Supper Club Bookings
85 School Shows
87 Hotel Vacation Route Work
88 Cruise Shows
88 Sponsored Morning Shows
89 Six Steps to Get Publicity
92 Church and Charity Shows

93 The Big Step
93 Adapting Yourself to Professional Magic Career
94 How Good is the Equipment You Will Need?

Now, the man who has been acclaimed as the world's leading authority on Showmanship for Mentalists, Magicians and Escape Artists offers you the real secret of showmanship. This is a practical book of tips on presentation, concentrating on showmanship. It is written for every performer who wants more bookings, better response and bigger money. Hull discusses Stage Presence; Routining; Presenting Comedy Magic; Stage Illusions; Showmanship for Escape Artists and Metalists; Selling Your Act; and The Big Step. Every aspect of the business is covered from Stage Deportment to Publicity Methods. All the information is the result of practical experience, from the winner of The Linking Ring's Gold Medal Award for instructive and informative articles on showmanship.

Personal

Owner Bryan-Keith Taylor
Location Magic Library (Home)
Index 4733
Added Date Jul 01, 2017 03:06:50
Modified Date Apr 06, 2026 14:22:44

Value

Book Condition Fine

Notes

Burling Hull
From Wikipedia, the free encyclopedia

Burling Hull
Born September 9, 1889
Died November 1982 (aged 93)
Occupation Magician
Burling Hull (September 9, 1889 – November 1982) was an inventive magician, self-styled "the Edison of magic," specializing in mentalism and sleight of hand effects. During the greater part of his life he lived in DeLand, Florida. His aliases and stage names included: "Volta the Great", "The Man with the Radar Mind", "The White Wizard," and "Gideon ('Gid') Dayn."

Career
Hull claimed to be — and is generally credited as — the inventor of the Svengali deck of cards, which he patented in 1909. He claimed to have invented more than 500 magical effects and he was a prolific writer, with 52 published books to his name, including Sealed Mysteries and Sleights, The Encyclopedia of Stage Illusions, Sealed Mysteries, and How to Answer Questions for Crystal Gazing and Mind Reading Acts. He wrote on a wide variety of magical subjects, including card tricks, mentalism, escapes, razor blade swallowing, sightless vision, billiard ball manipulation, silk magic, second sight acts, publicity, and showmanship.

Hull not only produced many titles about magical effects, he also performed and taught magic for more than 80 years. In his earlier "White Wizard" years, he performed an act dressed entirely in white in which he made billiard balls and silks vanish, multiply, and reappear.[1] In later years he gave talks to magic conventions on business methods for entertainers.

Hull was active in the movement to recognize that there are intellectual rights to magic methods and he was a strong advocate for the protection of magic trade secrets by both patents on the gimmicks and copyright on the texts, as applicable. However, he undercut his own ethical stance against plagiarism by publishing secret material from other magicians who had stolen ideas from him, in order to get revenge for having been plagiarized.[2]

In the late 1950s, Hull published a newsletter, The G_d D__n Truth About Magic, mainly for the purpose of criticizing the equally famous mentalist Robert A. Nelson, known on stage as "Korda RaMayne." Hull used the pseudonym Gideon ("Gid") Dayn to expose Nelson's effects under the pretense of "reviewing" them.[1]

Hull's weighty three-volume Encyclopedic Dictionary of Mentalism, published in 1961, was the largest compilation of mentalism sleights, gimmicks, effects, patter, and illusions in one collection up to that date. This work was also notable as the venue in which Hull continued to carry out his excoriating feud with Robert Nelson, whom Hull accused in print of teaching mentalism to gamblers and racketeers in order that they might commit what Hull called "thievery of the public." He also criticised Nelson for selling hoodoo folk magic curios that Hull said were used in rituals of "black magic and Devil worship".[2]

In his final years, Hull lost his eyesight, a loss he never learned to accept. He died at the age of 93 in a nursing home.[1] Hull's life and his impact upon the world of stage magic were described in a 1977 biography, The Edison of Magic and His Incredible Creations, written by Samuel Patrick Smith. Both his Svengali Deck of 1909 and his 33 Rope Ties and Chain Releases, written in 1915, are still popular today. While living in DeLand, the same town as Herbert L Becker, Burling and Becker worked together on illusions for Becker’s tour with Alice Cooper

Correspondence with Harry Houdini
Hull was the author of 33 Rope Ties and Chain Releases (1915). It was alleged that the magician Harry Houdini had borrowed information for his own Magical Rope Ties and Escapes (1921). However, a 1947 edition of Hull's book has an introduction titled "Houdini Did Not Steal This Book".[3] According to Hull:

"It is true that a book DID appear with the name of Houdini listed as the 'author', which did steal the entire contents of my original book. It purloined the original 'Patter" and the original presentations for the tricks and even reproduced exactly several of the illustrations. In addition this counterfeit book deliberately changed the names of the original tricks bearing my name and avoided giving any credit to the original author and inventor ... But Houdini explained away the matter [and] paid me a fair but moderate sum ... I accepted his explanation as plausible and ... we remained good friends."[4]

Similar to Houdini, exposing the tricks of spiritualist mediums interested Hull. His writings on this subject were collected and published in 1977 under the title The Billion Dollar Bait.

Publications
Expert Billiard Ball Manipulation (1910)
Sealed Mysteries (1911)
A Modern Handkerchief Act (1914)
Bulletin Of Latest Sleights And Tricks (1914)
Great East Indian Rope Trick (1914)
Master Sleights With Billiard Balls (1914)
The Art of the Stage (1914)
Sleights (1914)
33 Rope Ties and Chain Releases (1915)
The Challenge Handcuff Act (1916)
The Real Secret of the Stage Second Sight Act (1916)
How to Answer Questions for Crystal Gazing and Mind Reading Acts (1927)
The World's Cut and Restored Rope Tricks (1927)
Expert Manipulation (1928)
Sealed Message Reading Acts (1929)
The Volta System For The Feat Of Reading Sealed Messages (1929)
The Miracle of Floating Light (1931)
The Last Word Blindfold Methods (1932)
Thirty One Man Mind Reading (1935)
Burling Hull's Three Wow Card Hits (1939)
Annemann's Card Miracles And Annemann's Mental Mysteries (1940)
The Dictionary of Mentalism (1961)
The Billion Dollar Bait (1977)
The Edison of Magic and His Incredible Creations (1977)
References
Francis Marshall in the introduction to a reprint of The G_d D__n Truth About Magic.
Hull, Burling. Encyclopedic Dictionary of Mentalism. 1961.
"33 Rope Ties and Chain Releases". Retrieved 30 May 2016.
"A Selected Bibliography on Escapology". Retrieved 30 May 2016.
vte
Academy of Magical Arts Creative Fellowship
vte
Academy of Magical Arts Special Fellowship
Authority control databases Edit this at Wikidata

Hull's weighty three-volume Encyclopedic Dictionary of Mentalism, published in 1961, was the largest compilation of mentalism sleights, gimmicks, effects, patter, and illusions in one collection up to that date. This work was also notable as the venue in which Hull carried out his excoriating feud with the equally famous mentalist Robert A. Nelson, whom he accused in print of teaching mentalism to gamblers and racketeers in order that they might commit what Hull called "thievery of the public", and whom he criticised for selling hoodoo folk magic curios that Hull said were used in rituals of "black magic and Devil worship". [2]

In the late 1950s he published a sort of newsletter called The G_d D__n Truth About Magic, mainly for the purpose of criticizing Nelson and supposedly written by one Gideon ("Gid") Dayn, but it didn't take much imagination to know what the first words actually stood for. [1]

In his final years he lost his eyesight, a loss he never learned to accept, and he died at the age of 93 in a nursing home. [1]