Thelma & Louise is a feminist manifesto writ large on the big screen, a smart and funny gender reversal of the standard Hollywood buddy formula, a road movie extraordinaire, with characters who became instant cultural icons. No matter how you define it, Ridley Scott's 1991 box-office hit pinched a nerve and made the cover of national news magazines for tweaking gender politics like no movie before or since. Callie Khouri's screenplay overhauls the buddy formula with its story about two best friends (Susan Sarandon and Geena Davis) who embark on a liberating adventure that turns into an interstate police chase after a traumatic incident makes both women into fugitives; they are en route to a destiny they could never have imagined. The perfect casting of Sarandon and Davis makes Thelma & Louise a movie for the ages, and Brad Pitt became an overnight star after his appearance as the con-artist cowboy who gives Davis a memorable (but costly) night in a roadside motel.
The heroines, played by Geena Davis (Thelma) and Susan Sarandon (Louise), are a couple of Arkansas women who set out for a weekend in the mountains and wind up speeding through the Southwest, on the run from the law. (Louise has murdered a man who tried to rape Thelma in a roadhouse parking lot.) The movie, written by Callie Khouri and directed by Ridley Scott, is designed to keep pushing the women farther and farther out there-past the point of no return, into the vanishing point of a vast Western landscape, and, finally, over the edge of the world. It's a pretty shameless outlaw fantasy; the feminist justification that the script provides for the heroines' behavior doesn't make their actions any less preposterous. But you can recognize the crudeness of the movie's narrative devices and still have an awfully good time. There's an exhilarating ease and intuitiveness in the way Davis and Sarandon work together, and the camera lingers on them as if it couldn't get enough of them. Scott's direction gives the story a pleasantly dreamy quality: when Thelma and Louise are on the road, the movie has the look of a mirage, a jewelled shimmer that keeps us half hypnotized. He turns Davis and Sarandon into outlaw princesses, and they're so vivid and likable that they carry us past the plot's most obvious contrivances; a little disbelief seems a small price to pay for being allowed to remain in their company. Also with Harvey Keitel, Brad Pitt, Christopher McDonald, Michael Madsen, Timothy Carhart, and Stephen Tobolowsky. The luminous cinematography is by Adrian Biddle.
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Susan Sarandon | Louise |
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Geena Davis | Thelma |
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Harvey Keitel | Hal |
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Michael Madsen | Jimmy |
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Christopher McDonald | Darryl |
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Stephen Tobolowsky | Max |
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Brad Pitt | J.D. |
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Timothy Carhart | Harlan |
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Lucinda Jenney | Lena / the Waitress |
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Jason Beghe | State Trooper |
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Sonny Carl Davis | Albert |
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Shelly Desai | East Indian Motel Clerk |
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Ken Swofford | Major |
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Carol Mansell | Waitress |
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Stephen Polk | Surveillance Man |
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Rob Roy Fitzgerald | Plainclothes Cop |
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Jack Lindine | I.D. Tech |
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Michael Delman | Silver Bullet Dancer |
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Kristel L. Rose | Girl Smoker |
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Noel L. Walcott III | Mountain Bike Rider |
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Marco St. John | Truck Driver |
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Gregory J. Barnett | State Police Officer |
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Mamie Jean Calvert | Country Dancer |
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John Carey | Restaurant Customer |
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Mary Cornell | Girl in Bar |
| Director | Ridley Scott |
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| Writer | Callie Khouri | |
| Producer | Mimi Polk Gitlin, Callie Khouri, Dean O'Brien, Ridley Scott | |
| Musician | Hans Zimmer | |
| Photography | Adrian Biddle | |
| Edition | 25th Anniversary Blu-Ray Edition |
|---|---|
| Packaging | Keep Case |
| Nr Discs | 1 |
| Screen Ratios | Theatrical Widescreen (2.35:1) |
| Audio Tracks | DTS-HD High Resolution Audio [English] |
| Subtitles | English | Spanish |
| Distributor | MGM/UA |
| Layers | Single side, Single layer |
| Edition Release Date | Feb 08, 2011 |
| Regions | Region 1 |
| Watched | |
|---|---|
| Index | 3735 |
| Added Date | Dec 12, 2012 01:15:28 |
| Modified Date | May 17, 2019 03:36:15 |