
Alan Bleasdale's hugely acclaimed mini-series echoes the misery and despair of long-term unemployment. Set in Liverpool, these profoundly moving human dramas follow in turn the attempts of five working-class heroes to survive.
The boys sign on at the Department of Employment and then collect George's son, Snowy, on their way to an off-the-books construction job for Malloy. Much to their amusement, the conversion job turns out to be the future new offices of the D.O.E. Unfortunately, D.O.E. officials Moss and Lawton suspect their scam and are determined to catch them in the act. Ineptitude on several sides, however, leads to tragedy.
In desperation to feed and clothe his four children, Dixie takes an illicit job as a night security guard at the docks. He soon discovers that one man alone on a ship at night can do nothing but turn a blind eye to a gang of pilferers but, if the missing goods are noticed, what will he tell his boss, whose small security company is struggling to survive? Meanwhile, the petty bureucrats at the D.O.E. launch an undercover operation, and Dixie's wife Freda is too frightened to open the door to the house.
Pending the outcome of the moonlighting enquiry, Chrissie's dole money has been stopped, and this precipitates a showdown with his wife, Angie. Meanwhile, at the D.O.E., middle management is completely out of control since the Manager, Miss Sutcliffe, has more important things to worry about than running her department. As Chrissie and Angie's row reaches its climax, violence erupts.
Yosser reaches the end of the line as the utility men, rent collectors, and social workers invade his home. Why on earth doesn't he turn his three small children over to his estranged wife, Maureen, rather than let them be taken into care?
As George's health declines, his belief in the values of Old Labour remain unshaken. Chrissie takes him for one last tour of the now-abandoned docklands where he once worked, and they have what may well be the most important and heartfelt conversation of their long friendship.
As George's health declines, his belief in the values of Old Labour remain unshaken. Chrissie takes him for one last tour of the now-abandoned docklands where he once worked, and they have what may well be the most important and heartfelt conversation of their long friendship.
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Bernard Hill | Yosser Hughes |
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Michael Angelis | Chrissie Todd |
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Alan Igbon | Loggo Logmond |
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Peter Kerrigan | George Malone |
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Tom Georgeson | Dixie Dean |
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Gary Bleasdale | Kevin Dean |
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Shay Gorman | Malloy |
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Timothy Bleasdale | Jason Hughes |
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Tamana Bleasdale | Anne Marie Hughes |
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Jamie Bleasdale | Dustin Hughes |
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David Fleeshman | D.O.E. - Assistant Manager |
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David Ross | D.O.E. - Donald Moss |
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Gilly Coman | D.O.E. - Dixie's Clerk Jean |
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David Neilson | D.O.E. - Lawton |
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Cheryl Leigh | D.O.E. - Jackie Mills |
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Isa Dixon | D.O.E. Clerk |
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Julie Walters | Angie Todd |
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Clive Russell | Policeman |
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Struan Rodger | Priest - Father Dan Thomas |
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Tony Haygarth | Docks - Aitch |
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Paul Barber | Docks - Scotty |
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Sam Kelly | Pub Manager |
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Doña Croll | Hospital Patient |
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Ricky Tomlinson | Hospital Doctor |
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Jean Heywood | Mary Malone |
Director | Philip Saville |
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Writer | Alan Bleasdale | |
Producer | Michael Wearing | |
Photography | Ian Churchill, John Kenway |
Packaging | Keep Case |
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Nr Discs | 3 |
Layers | Single side, Single layer |
Regions | Region 2 |
Watched | |
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Quantity | 1 |
Index | 486 |
Added Date | Mar 18, 2019 12:33:59 |
Modified Date | Jul 16, 2024 09:15:21 |