A historical drama about the relationship between a Civil War soldier and a band of Sioux Indians, Kevin Costner's directorial debut was also a surprisingly popular hit, considering its length, period setting, and often somber tone. The film opens on a particularly dark note, as melancholy Union lieutenant John W. Dunbar attempts to kill himself on a suicide mission, but instead becomes an unintentional hero. His actions lead to his reassignment to a remote post in remote South Dakota, where he encounters the Sioux. Attracted by the natural simplicity of their lifestyle, he chooses to leave his former life behind to join them, taking on the name Dances with Wolves. Soon, Dances with Wolves has become a welcome member of the tribe and fallen in love with a white woman who has been raised amongst the tribe. His peaceful existence is threatened, however, when Union soldiers arrive with designs on the Sioux land. Some detractors have criticized the film's depiction of the tribes as simplistic; such objections did not dissuade audiences or the Hollywood establishment, however, which awarded the film seven Academy Awards, including Best Picture. — Judd Blaise
Rather than play it safe for his directorial debut, Kevin Costner tackled an epic tale in a moribund genre, playing a U.S. Cavalry soldier who heads West to find himself in Dances With Wolves (1990). Shooting on location in South Dakota, Costner marshaled glorious vistas of open landscapes and a buffalo stampede to capture the mythic purity his Lt. Dunbar hopes to find at the frontier. Harking back to the cycle of revisionist westerns from the 1950s through the 1970s, Dunbar's intimate relationship with the Lakota Sioux tribe reverses Western stereotypes of "savage Indians" and "civilized whites"; Costner's attention to Sioux rituals and subtitled Lakota dialogue mirrors Dunbar's cultural conversion. Rather than becoming a Western hero because he brings civilization to the wild west, Dunbar's heroism lies in his "going native"—but even he is powerless in the face of encroaching white brutality. Overcoming negative publicity and mixed reviews that ranged from comparisons to John Ford to outright disdain, Dances With Wolves became a surprise hit, and received twelve Oscar nominations. With the Academy opting for New Age western myths over Goodfellas' gangster brutality, Costner beat out critical favorite Martin Scorsese for Best Director and Dances With Wolves became one of the few oaters to win Best Picture, spurring on the 1990s revival of the western as a viable Hollywood genre. — Lucia Bozzola
| Edition | Special Edition |
|---|---|
| Nr Discs | 2 |
| Screen Ratios | Anamorphic Widescreen (2.35:1) |
| Audio Tracks | ENGLISH: Dolby Digital 5.1 FRENCH: Dolby Digital Surround |
| Subtitles | English | French | Spanish |
| Layers | Single side, Dual layer |
| Regions | Region 1 |