Scripted by famed playwright Tennessee Williams, The Rose Tattoo stars Anna Magnani as Serafina Delle Rose, a Sicilian woman who now lives in the American South. As the film opens, she is still mourning the death of her beloved husband, constantly telling herself stories of their time together. Her fragile emotional existence is shattered when she discovers that her husband had been carrying on with another woman. Luckily, Serafina also meets truck driver Alvaro Mangiacavallo (Burt Lancaster) around this time, and their tentative romance may help her through this troubling time. Williams wrote the script for Magnani, who was awarded an Oscar for her work in the film. — Perry Seibert
AMG Review: The Rose Tattoo was never top-drawer Tennessee Williams, and the screenplay has not aged gracefully. But the truth is that Tattoo has always really been little more than a showcase for its leading lady, and the performance that this film showcases has not dimmed an iota over the decades. Anna Magnani's performance is nothing short of ferocious, the kind of powerful, stunning acting that in lesser hands would be called "over the top." Magnani pulls out all of the stops, bursting forth with emotions so large that the screen shouldn't be able to contain them; yet part of her magic is that it does contain them, that the audience becomes engulfed in rather than overwhelmed by her outbursts. Crying out in pain or blazing with anger and hurt or letting out heartfelt laughter, Magnani is a human volcano, a force of nature that must be experienced. She is helped by Williams' ability to create three-dimensional female leads, which helps to overcome the stiffness and predictability of much of the plotting. As the male lead, Burt Lancaster has to contend not only with Magnani but with a role that is much less fully developed than that of Magnani's; unfortunately, he adapts by overplaying, and his performance damages the film, as does Daniel Mann's none too subtle direction. Still, the film's flaws are worth putting up with for Magnani. — Craig Butler
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Anna Magnani | Serafina Delle Rose |
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Burt Lancaster | Alvaro Mangiacavallo |
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Marisa Pavan | Rosa Delle Rose |
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Ben Cooper | Seaman Jack Hunter |
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Virginia Grey | Estelle Hohengarten |
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Jo Van Fleet | Bessie |
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Sandro Giglio | Father De Leo |
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Mimi Aguglia | Assunta |
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Florence Sundstrom | Flora |
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Albert Adkins | Mario |
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Don Bachardy | Passenger in Back Seat of Car |
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Larry Chance | Rosario Delle Rose |
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Lewis Charles | Taxi Driver |
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Roger Gunderson | Doctor |
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Jean Hart | Violetta |
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George Humbert | Pop Mangiacavallo |
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Dorrit Kelton | Schoolteacher |
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May Lee | Mamma Shigura - Tattoo Artist |
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Augusta Merighi | Giuseppina |
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Natalie Murray | Townswoman |
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Virgil Osborne | Taxi Driver |
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Margherita Pasquero | Grandma Mangiacavallo |
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Rosa Rey | Mariella |
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Rossana San Marco | Peppina |
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Georgia Simmons | The Strega |
| Director | Daniel Mann |
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| Writer | Tennessee Williams, Hal Kanter | |
| Producer | Hal B. Wallis | |
| Musician | Alex North | |
| Photography | James Wong Howe | |
| Packaging | Keep Case |
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| Nr Discs | 1 |
| Screen Ratios | Anamorphic Widescreen (1.85:1) |
| Audio Tracks | ENGLISH: Dolby Digital Mono |
| Subtitles | English |
| Distributor | Paramount |
| Layers | Single side, Single layer |
| Edition Release Date | Sep 21, 2004 |
| Regions | 1 |