Fat Girl

Recommended for mature audiences only.

Twelve-year old Anaïs is fat. Her older sister, Eléna, is a teenage beauty. While on vacation with her parents, Anaïs tags along behind Eléna, exploring the dreary seaside town. Eléna meets Fernando, an Italian law student, who seduces her with promises of love, as the ever-watchful Anaïs bears witness to the corruption of her sister’s innocence. Precise and uncompromising, Fat Girl (À Ma soeur!) is a bold dissection of sibling rivalry and female adolescent sexuality from one of contemporary cinema’s most controversial directors.


Overview
Director Catherine Breillat, who courted international controversy with her film Romance, once again pushed the envelope with this disturbing (if somewhat less explicit) look at adolescent sexuality. Anaïs (Anaïs Reboux) is a 12-year-old girl with a weight problem and a downbeat disposition growing up in a family which offers her little in the way of understanding and affection. Anaïs has a typically adolescent love/hate relationship with her slimmer and prettier 15-year-old sister, Elena (Roxane Mesquida); she's at once fascinated by her sister (and the boys who follow her around), and hates her for the love and attention she receives from others. While the family spends the summer at the beach, Elena attracts the attentions of Fernando (Libero de Rienzo), a college student from Italy who makes no secret of his attraction to Elena's budding sexuality. Anaïs, on the other hand, is forced to make do with a sad game in which she pretends that a ladder and a diving board at a neighborhood swimming pool are two suitors vying for her affections. Anaïs shares a room with Elena, and finds herself a fascinated, if troubled, witness as Fernando uses both charm and deceit to rob her sister of her virginity, while Elena is too naïve to see through the lies Fernando is spinning -- and enjoys having Anaïs as an audience for her steadily advancing sex play with Fernando. Anaïs is more aware than her older sister of Fernando's insincerity, but she finds Elena isn't eager to believe her.

All Movie Guide - Adam Bregman
A downbeat tale about the tortures of adolescence, A Ma Soeur! goes well beyond most people's worst childhood experiences. Everybody in Anaïs' family dumps their problems on her, while constantly reminding her that she's a helpless, chubby girl who can't stop eating. The only halfway decent relationship that she has is with her sister, Elena, who has some affinity with her, even though Elena often degrades her, blames her for her own faults, and is forced to drag her around when she's hunting for men. Director Catherine Breillat expertly captures these awkward years in the dialogue between the two sisters, the sometimes uncomfortable sex scenes, and in Anaïs' anguished facial expressions. The sex scenes are lengthy, graphic, and portray underage sex, but this sort of stuff is becoming de rigueur for contemporary French cinema. All of the acting is excellent, from Libero de Rienzo's performance as the slimy, Italian college student who shows off to Elena about other girls he's used and then dumped, to Arsinee Khanjian, as the sisters' emotionally unstable, chain-smoking mom, to Anaïs Reboux's Anaïs, who seems to have no hope in this world. The ending of the film is certainly controversial with some critics lashing out against it. But undoubtedly this is French cinema at its most fearless, a film one thinks about, discusses, and does not forget.