Baadasssss – How to Get the Man's Foot Outta Your Ass

Mario Van Peebles's half documentary/half homage to his father Melvin's 1971 film, Sweet Sweetback's Baadasssss Song.

AMG Plot: In 1971, filmmaker Melvin Van Peebles released his third film, Sweet Sweetback's Baadasssss Song, which he wrote, directed, and scored. Despite boasting an all-black cast, an X rating, a low budget, and a decidedly non-Hollywood approach to moviemaking, the ground-breaking independent film went on to gross over ten million dollars while inspiring countless other films of the genre that would come to be called blaxploitation. Mario Van Peebles, the director's son, was 13 at the time and got his first taste of show business with a small role in the film. Over three decades later, the younger Van Peebles directed and co-wrote this film, in which he stars as his father. BAADASSSSS! chronicles the director's struggles to get the film made by highlighting the social roadblocks and production pitfalls Van Peebles faced, as well as the personal sacrifices he was forced to make. Also starring T.K. Carter, Ossie Davis, and Nia Long, BAADASSSSS! premiered at the 2004 Sundance Film Festival. — Matthew Tobey

AMG Review: Honoring his father even by using the same number of superfluous letters in his title, Mario Van Peebles has assembled one of the most bracing films about guerilla filmmaking ever committed to celluloid. Not only that, but as a witness to and subsequent reenactor of the events in the film, Van Peebles brings a gritty authenticity to BAADASSSSS! that makes it a 1970s time capsule on par with a film like Boogie Nights. Van Peebles is unflinching in his portrayal of father Melvin's struggles to bring the granddaddy of blaxploitation films to the big screen, which manifested themselves in such a dramatic physical way that the elder Van Peebles almost lost his eyesight. The fact that Mario plays Melvin heightens the intensity, as the role requires him to relive childhood traumas from the perspective of the man doing the traumatizing. In fact, the film gives the phrases "labor of love" and "project close to my heart" entirely new meanings. It's as much an achievement in mature filmmaking for Mario Van Peebles as Sweet Sweetback's Baadasssss Song was for Melvin, since Mario had not directed a film in five years, and had never directed a film with any acclaim, possibly excepting New Jack City. The scenes of the patchwork crew scrambling through locations without permits and scaling all heights to finish on schedule are priceless bits of urban filmmaking lore. It's also interesting to see an early incarnation of Earth, Wind & Fire agreeing to record the soundtrack for shockingly low pay. — Derek Armstrong