The Constant Gardener

A man discovers a deadly secret when he tries to find out who killed the woman he loves in this suspense drama based on a novel by John Le Carré. Justin Quale (Ralph Fiennes) is a low-level British diplomat who has been given a new assignment in Kenya. Justin's wife, Tessa (Rachel Weisz), is an activist with a keen interest in issues of poverty and social justice; Justin urges her to avoid getting too deeply involved in the people living in Kenya, who are constantly dogged by poverty, but she shows little interest in obeying these instructions. This isn't the only area where Tessa has disregarded her husband, as she's been unfaithful in the past, and begins spending time with a handsome doctor once they've settled in Kenya. One day, Tessa disappears, and is soon found dead; officials believe that she was murdered by the doctor after some sort of argument. However, before long Justin becomes convinced that there was a larger scheme that led to Tessa's death, and he begins digging into areas where he's not especially welcome, given his reputation as a man willing to let the wealthy and powerful do as they will. The Constant Gardener was the first English-speaking feature from Brazilian filmmaker Fernando Meirelles, who directed the international success City of God. — Mark Deming

AMG Review:
Director Fernando Meirelles made an international splash with the brilliantly gritty and stylish City of God, and he brings a surprising amount of the same vibrant energy and political consciousness to his English-language debut, The Constant Gardener. The film starts out comparatively sedate, with Justin (Ralph Fiennes) reacting with ineffectual calm to his wife's death, even consoling his friend Sandy (Danny Huston) when he gets distressed while identifying the body. Appropriately, the film comes alive in the flashbacks to Tessa's (Rachel Weisz) life, and as she traverses the teeming city of Nairobi, the screen pulsates with color and the energy of cinematographer César Charlone's (returning from City of God) street-level handheld camera work. Fiennes delivers a perfectly modulated performance. Justin is a passive, ineffectual minor diplomat who marries a beautiful younger woman he doesn't really know. "You could learn me," she tells him, and over the course of the film, it becomes clear that Justin is more concerned with understanding his murdered wife than with avenging her death. This may frustrate audiences accustomed to catharsis, but it's the only way to treat the material truthfully. The plot is similarly complex and mature, and requires concentration, but the tragic romance at the core of the film keeps viewers emotionally involved. Meirelles and screenwriter Jeffrey Caine, adapting John Le Carré's novel, approach it with searing honesty as Justin uncovers, right under his nose, a distressingly convincing corrupt world where everyone is guilty and no one is responsible. The Constant Gardener offers a superb, thoughtful, and finally heart-wrenching example of the conflation of the personal and the political. — Josh Ralske