Jarhead

Based on former Marine Anthony Swofford's best-selling 2003 book about his pre-Desert Storm experiences in Saudi Arabia and about his experiences fighting in Kuwait. A young man gets a crash course in the madness of war in this fact-based drama from director Sam Mendes. Anthony "Swoff" Swofford (Jake Gyllenhaal) decides to join the Marines, just like his father and his father before him, and signs on just in time to be sent to Iraq to fight in the Gulf War in 1991. After experiencing the rigors of boot camp, Swofford and his pal Troy (Peter Sarsgaard) are trained to be snipers, and under the leadership of Sgt. Sykes (Jamie Foxx) and Lt. Col. Kazinski (Chris Cooper), the two land in the middle of a desert where they're up against an enemy they can't always see under a blazing sun with hours of boredom punctuated by moments of sheer terror. Swofford, Troy, and their fellow soldiers rely on the wits, their sense of humor, and their friendship of their brothers in arms to deal with a situation that doesn't much resemble what they saw on television at home. Jarhead was based on the memoirs of the real-life Anthony Swofford, who did serve as a sniper in the 1991 Gulf War; the title comes from military slang for a Marine enlistee. — Mark Deming

AMG Review: Sam Mendes' Jarhead does not tell a new story. Countless other films have shown how war affects soldiers. Mendes is savvy enough to know this and goes so far as to reference Full Metal Jacket and Apocalypse Now early in the film almost as a way of admitting how pedestrian his basic story is. What sets this film apart is that although the story is old, the characters are new. The characters played by Jake Gyllenhaal and Peter Sarsgaard become real people over the course of the film, making their experiences all the more compelling to an audience. In addition to developing a pair of specific characters, the film smartly teaches the audience more than a few aspects of what daily life was like during Desert Shield and Desert Storm. The film demonstrates the pent-up energy of young men not allowed the release of either sex or war. The soldier's unique war experience is expressed beautifully in the film's final act when, once the men actually get close to real combat, cinematographer Roger Deakins lights the film by the shifting light from fires that burn in sabotaged oil fields. There has never been a film sequence that looks like that one does, just as there has never been a war film quite like Jarhead. The film lacks profundity, but it does contain a specificity that makes it a compelling experience. — Perry Seibert