Ballad Of A Soldier

The award-winning Ballad of a Soldier was the first Russian film to score an American success during the Cold War era. It is a relatively simple, uncomplicated story of a callow young Russian conscript (Vladimir Ivashov) who yearns for home and hearth during World War II. Unfortunately, only those who have committed a conspicuously heroic act are being honored with liberty. Almost in spite of himself, the boy becomes a battlefield hero, and as a result is allowed to visit his family. En route to his home, the boy uses up much of his valuable leave time through his efforts to help others. He finally gets to see his mother for a few precious moments before being called back to active duty. At the risk of sounding snobbish, we advise that you see Ballad of a Soldier in a subtitled print. The English-dubbed version borders on the ridiculous, with everyone talking in stilted sentences that sound like Soviet Damon Runyon.
------------
Made in the post-Stalin thaw in Soviet filmmaking, Ballade o Soldate is refreshingly apolitical, choosing to ascribe the humanitarian impulses of its characters to their nature rather than to an adherence to state ideals. Alyosha (Vladimir Ivashov) is a scared soldier of 19 who, as much out of self-preservation as anything, manages to disable two German tanks. The film's first extended scene of dialogue sets the pattern for a portrayal of the military for the rest of the drama; Alyosha is teased by hardened officers but treated kindly by top brass. Giving one soldier a six-day pass in the middle of the war seems an extraordinary kindness, but the film resolutely insists on the basic goodness of nearly all its characters. On his journey homeward, Alyosha initiates acts of charity and is treated generously by nearly everyone he meets. His only nemesis, a bully of a guard on a freight train, winds up getting his comeuppance from-you guessed it-a lieutenant. The scenes between Alyosha and his female traveling companion Shura (Zhanna Prokhorenko) are packed with yearning but again reflect the soldier's basic honesty, since he's led to believe that she's on her way to visit her fiancé. This is one of the least horrific war films ever made, which isn't to say that it glorifies combat or ignores suffering. It also contains one of the saddest expressions of motherly love ever spoken, when Alyosha's mother bids him farewell by crying out, "I didn't wait for your father, but I'll wait for you." Director Grigori Chukhrai, after some virtuoso camerawork in the man vs. tank sequence, settles down for some lovely compositions, with deep focus shots framed by a glorious Russian sky.