Menschen am Sonntag
An early experiment in neo-realist filmmaking, Menschen Am Sonntag is a low-budget drama about two men, a cab driver and a salesman, who find themselves with nothing to do on a Sunday in Berlin. The friends pick up a couple of young women, and the four spend the day wandering the city streets before heading to a beach in Wannsee, where they go swimming and enjoy an idyllic afternoon by the lake. After a genial but determined attempt at seduction by the two men, the foursome returns to Berlin, with the depressing prospect of another working week looming before them. Menschen Am Sonntag is most notable today for the behind-the-camera contributions of several young German filmmakers who would later win greater fame after expatriating to the United States following the rise of the Third Reich, among them Billy Wilder, Fred Zinnemann, Robert Siodmak, Edgar G. Ulmer, and Curt Siodmak.
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Erwin Splettstößer | Self - Taxi Driver |
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Brigitte Borchert | Self - Record Seller |
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Wolfgang von Waltershausen | Self - Wine Seller |
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Christl Ehlers | Self - Extra in Films |
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Annie Schreyer | Self - Model |
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Kurt Gerron | Self |
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Valeska Gert | Self |
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Heinrich Gretler | Self |
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Moriz Seeler | Photo Subject at Beach |
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Erno Verebes | Self |
| Director | Robert Siodmak |
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| Edgar G. Ulmer |
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| Rochus Gliese |
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| Curt Siodmak |
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| Fred Zinnemann |
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| Writer | Billy Wilder, Curt Siodmak, Robert Siodmak, Edgar G. Ulmer | |
| Producer | Seymour Nebenzal, Moriz Seeler | |
| Musician | Elena Kaets-Chernin, Otto Stenzeel | |
| Photography | Eugen Schüfftan | |
| Edition | Criterion Blu-Ray Edition |
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| Nr Discs | 1 |
| Screen Ratios | Fullscreen (4:3) |
| Audio Tracks | SIL [English] |
| Regions | Region A |