Life on Mars
A detective chief inspector from 2006 is investigating a serial killer when he is knocked over by a speeding car. Waking up, he finds himself mysteriously transported back in time to 1973. Initially struggling to come to terms with his situation, he has to come to terms with the old-fashioned technology and attitude of the day, while figuring out how he came to be trapped in the past. The actor John Simm described the show as "a cross between Back to the Future and The Sweeney", and it makes effective use of the disorientation of the unwitting time traveller while taking a post-modern romp through 1970s fashions and technologies, with due tribute paid to the classic police dramas of the day to fashion a truly unique programme.
A DCI from 2006 wakes from a car crash in 1973 and must figure out how he got there in order to get back and save his girlfriend.
Sam and Gene are at loggerheads when tragedy results from Sam's ethics.
A murder at a factory brings some nostalgia to Sam -- it's where his flat is in the future, and he and Hunt each have a tenner on which is best: Hunt's instincts or Tyler's forensics.
After discovering most of the police force is on the take, Sam must decide how to handle it and figure a way to get DCI Hunt on board. The fact the mob boss is responsible for terrorizing his mother only firms his resolve.
The death of a Manchester United fan may send the city into a riot when a City fan is suspected, so Sam, Gene and Annie go undercover at a pub to get clues as to the murderer.
A hostage situation becomes increasingly more nerve-wracking for Sam when he discovers the hostage taker's deadline coincides with the time that his life support machine is due to be turned off in 2006. Meanwhile Annie gets sent into the room with the hostage taker, dressed as a nurse, in an attempt to gain information about the situation.
Sam believes exposing a dirty cop will make his tests in 2006 show a response, but will the sacrifice of the unit be worth it?
Sam's encounter with his father brings back memories and challenges his belief of his purpose for being in 1973.
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Philip Glenister | DCI Gene Hunt |
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John Simm | DCI Sam Tyler |
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Liz White | Annie Cartwright |
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Dean Andrews | Ray Carling |
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Marshall Lancaster | Chris Skelton |
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Tony Marshall | Nelson |
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Allan Gentleman | Policeman |
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Noreen Kershaw | Phyllis Dobbs |
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Rafaella Hutchinson | Test Card Girl |
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Barry Evans | DC Hendry |
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Joanne Froggatt | Ruth Tyler |
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Rae Kelly Hill | June |
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Timothy Platt | Leonard |
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Andrew Tiernan | Kim Trent |
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Lee Ross | DCI Litton |
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Sherry Ormerod | Mrs. Trent |
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Philip Huzzey | Member Of Line Up Parade |
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Paul McDonahue | Factory Worker |
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Jane Relph | Witness |
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Frank Walmsley | Ambulance Driver |
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Lee Ingleby | Vic Tyler |
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Sam Hazeldine | Colin Raimes |
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Archie Panjabi | Maya Roy |
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Paul Copley | Reg Cole |
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Nicholas Blane | Oswald Spear |
| Director | Bharat Nalluri |
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| John McKay |
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| S.J. Clarkson |
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| John Alexander |
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| Writer | Matthew Graham, Ashley Pharoah, Tony Jordan, Chris Chibnall | |
| Producer | Jane Featherstone, Matthew Graham, Claire Parker, Marcus Wilson, John Yorke | |
| Musician | Edmund Butt | |
| Photography | Adam Suschitzky, Tim Palmer, Balazs Bolygo, Grant Cameron | |
| Packaging | Custom Case |
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| Nr Discs | 4 |
| Screen Ratios | Widescreen (1.78:1) |
| Audio Tracks | Dolby Digital Stereo Dolby Digital 5.1 [Englisch] |
| Subtitles | Englisch | Englisch (für Hörgeschädigte) |
| Layers | Single side, Single layer |
| Edition Release Date | May 15, 2006 |
| Regions | Region 2 |
| Watched | |
|---|---|
| Index | 714 |
| Added Date | Nov 02, 2014 11:27:43 |
| Modified Date | Mar 16, 2019 10:23:28 |