When his daughter, Angela, and her friend Katherine, show signs of demonic possession, it unleashes a chain of events that forces single father Victor Fielding to confront the nadir of evil. Terrified and desperate, he seeks out Chris MacNeil, the only person alive who's witnessed anything like it before.
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Lafortune Joseph | Fisherman #1 |
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Leslie Odom Jr. | Victor Fielding |
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Gastner Legerme | Fisherman #2 |
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Tracey Graves | Sorenne Fielding |
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Marie Michelle Bazile | Craftsperson |
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Rodrigue Lucien Louissaint | Mirror Salesman |
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Albert Wollf II Saint Felix Nolasco | Young Boy in Haiti |
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Viergeue Charles | Spiritual Reader |
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Prince Jayden Constant Felix | Kid at the Beach |
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Jake Arsene Joseph | Kid at the Beach |
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Yomayli Joseph Louisimus | Kid at the Beach |
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Dieunanne Hercule | Mother Crying |
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Eliseo Antonio Paredes | Haitian Doctor |
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Gardy Helve | Haitian Doctor |
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Lidya Jewett | Angela Fielding |
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Danny McCarthy | Stuart |
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Ann Dowd | Ann |
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Norbert Leo Butz | Tony |
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Rory Gross | Tyler |
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Olivia O'neill | Katherine |
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Norah Elin Murphy | Hannah |
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Jennifer Nettles | Miranda |
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Lariah Alexandria | Deshannah |
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Patrick Roper | Teacher |
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Ian Godlewski | Polish Exchange Student |
Director | David Gordon Green |
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Writer | Peter Sattler, David Gordon Green, Scott Teems, Danny McBride | |
Producer | Stephanie Allain, Jason Blum, David Gordon Green, Mark David Katchur, Julian Lawitschka, Danny McBride, Christopher Merrill, Nate Meyer, Gamal Palmer, Brian Robinson, David Robinson, James G. Robinson, Jennifer Scudder Trent, Ryan Turek, Atilla Salih Yücer | |
Musician | Amman Abbasi, David Wingo | |
Photography | Michael Simmonds |
Owner | Jackmeats Flix |
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Location | Horror Disk 1 |
Purchased | Oct 25, 2023 at Rapta |
Quantity | 1 |
Seen | May 08, 2025 |
Added Date | Oct 25, 2023 09:37:47 |
Modified Date | May 10, 2025 06:18:55 |
Audio Tracks | Dolby Digital 5.1 [English] |
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Subtitles | English | French | Spanish |
My quick rating - 5.0/10. The Exorcist: Believer is the kind of horror sequel that feels more like a contractual obligation than a passion project. Directed by David Gordon Green, this entry attempts to revive the legendary Exorcist franchise with a new tale of possession and parental desperation but ultimately lands as a middling, formulaic flick that fails to justify its resurrection.
The story follows Victor (played by Leslie Odom Jr.), a single father still grieving the loss of his wife, now raising his daughter Angela on his own. When Angela and her friend disappear for three days and return with no memory of what happened, it quickly becomes clear that something sinister has taken hold. Their disturbing, synchronized behavior echoes the infamous MacNeil case from fifty years ago—yes, that exorcism—and this paves the way for the film’s big nostalgic pull: the return of Ellen Burstyn as Chris MacNeil.
Seeing Burstyn reprise her role is a genuine treat, especially for fans of the 1973 classic. She brings gravitas and warmth to the film, even if the script doesn’t give her nearly enough to do. In fact, this is a recurring issue throughout Believer—capable performances are let down by shallow material. The makeup on the two possessed girls is solid and effectively eerie, but the scares? Minimal. Tension? Lacking. It’s more of a slow-burning procedural that builds up—predictably—to the final exorcism showdown.
And that’s the problem: it all feels too safe, too by-the-numbers. The film relies heavily on the familiar “how far will a parent go” trope, but never pushes into deeper or more disturbing territory. The ending does throw in a bone for longtime fans, and the use of Mike Oldfield’s “Tubular Bells” over the credits is a welcome nod, but these are fleeting moments of nostalgia in an otherwise forgettable package.
What The Exorcist: Believer seems most guilty of is using its legacy characters and franchise name as a way to cash in without doing the thematic or cinematic heavy lifting that made the original such a cultural milestone. It doesn’t have Friedkin’s boldness, Blatty’s philosophical weight, or even a memorable moment that could linger past the credits.
Out of respect for the original and its late director William Friedkin, this could easily be rated more harshly. But there’s enough competent acting, decent production design, and a serviceable (if predictable) arc to call it passable. Still, it’s a far cry from anything worthy of The Exorcist name.
Verdict: A by-the-book horror sequel with a few nostalgic sparks, but mostly a hollow echo of past terror.
TheMovieDb.org |