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The Exorcist: Believer

The Exorcist: Believer

Universal Pictures (2023)
WEBRip Xvid
Horror
USA | English | Color | 01:51

When his daughter, Angela, and her friend Katherine, show signs of demonic possession, it unleashes a chain of events that forces single father Victor Fielding to confront the nadir of evil. Terrified and desperate, he seeks out Chris MacNeil, the only person alive who's witnessed anything like it before.


Cast View all

Lafortune Joseph Fisherman #1
Leslie Odom Jr. Victor Fielding
Gastner Legerme Fisherman #2
Tracey Graves Sorenne Fielding
Marie Michelle Bazile Craftsperson
Rodrigue Lucien Louissaint Mirror Salesman
Albert Wollf II Saint Felix Nolasco Young Boy in Haiti
Viergeue Charles Spiritual Reader
Prince Jayden Constant Felix Kid at the Beach
Jake Arsene Joseph Kid at the Beach
Yomayli Joseph Louisimus Kid at the Beach
Dieunanne Hercule Mother Crying
Eliseo Antonio Paredes Haitian Doctor
Gardy Helve Haitian Doctor
Lidya Jewett Angela Fielding
Danny McCarthy Stuart
Ann Dowd Ann
Norbert Leo Butz Tony
Rory Gross Tyler
Olivia O'neill Katherine
Norah Elin Murphy Hannah
Jennifer Nettles Miranda
Lariah Alexandria Deshannah
Patrick Roper Teacher
Ian Godlewski Polish Exchange Student

Trailer

Edition details

Packaging MKV
Nr Discs 1
Audio Tracks Dolby Digital 5.1 [English]
Subtitles English | French | Spanish

Personal

Owner Jackmeats Flix
Location Horror Disk 1
Purchased Oct 25, 2023 at Rapta
Quantity 1
Seen May 08, 2025
Index 7907
Added Date Oct 25, 2023 09:37:47
Modified Date May 10, 2025 06:18:55

Notes

My quick rating - 5.0/10. The Exorcist: Believer is the kind of horror sequel that feels more like a contractual obligation than a passion project. Directed by David Gordon Green, this entry attempts to revive the legendary Exorcist franchise with a new tale of possession and parental desperation but ultimately lands as a middling, formulaic flick that fails to justify its resurrection.
The story follows Victor (played by Leslie Odom Jr.), a single father still grieving the loss of his wife, now raising his daughter Angela on his own. When Angela and her friend disappear for three days and return with no memory of what happened, it quickly becomes clear that something sinister has taken hold. Their disturbing, synchronized behavior echoes the infamous MacNeil case from fifty years ago—yes, that exorcism—and this paves the way for the film’s big nostalgic pull: the return of Ellen Burstyn as Chris MacNeil.
Seeing Burstyn reprise her role is a genuine treat, especially for fans of the 1973 classic. She brings gravitas and warmth to the film, even if the script doesn’t give her nearly enough to do. In fact, this is a recurring issue throughout Believer—capable performances are let down by shallow material. The makeup on the two possessed girls is solid and effectively eerie, but the scares? Minimal. Tension? Lacking. It’s more of a slow-burning procedural that builds up—predictably—to the final exorcism showdown.
And that’s the problem: it all feels too safe, too by-the-numbers. The film relies heavily on the familiar “how far will a parent go” trope, but never pushes into deeper or more disturbing territory. The ending does throw in a bone for longtime fans, and the use of Mike Oldfield’s “Tubular Bells” over the credits is a welcome nod, but these are fleeting moments of nostalgia in an otherwise forgettable package.
What The Exorcist: Believer seems most guilty of is using its legacy characters and franchise name as a way to cash in without doing the thematic or cinematic heavy lifting that made the original such a cultural milestone. It doesn’t have Friedkin’s boldness, Blatty’s philosophical weight, or even a memorable moment that could linger past the credits.
Out of respect for the original and its late director William Friedkin, this could easily be rated more harshly. But there’s enough competent acting, decent production design, and a serviceable (if predictable) arc to call it passable. Still, it’s a far cry from anything worthy of The Exorcist name.
Verdict: A by-the-book horror sequel with a few nostalgic sparks, but mostly a hollow echo of past terror.

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