Predator: Killer Of Killers

Cast View all

	Michael Biehn	Vandy
	Doug Cockle	Einar
	Rick Gonzalez	Torres
	Damien C. Haas	Anders
	Lauren Holt	Freya
	Lindsay LaVanchy	Ursa
	Jeff Leach	Ivar
	Cherami Leigh	Young Ursa
	André Luc Martinez	Delgado
	Piotr Michael	Gunnar
	Andrew Morgado	Chief Zoran
	Louis Ozawa Changchien	Kenji & Kiyoshi
	Brock Powell	Krivich Prisoner
	Félix Solis	Torres' Dad
	Britton Watkins	Warlord Predator
	Alex Albrecht	Additional Voice
	James Bannon	Additional Voice
	Jeffrey Cannata	Additional Voice
	Jonathan Dixon	Additional Voice
	Mel Fair	Additional Voice
	Mary Louise Gemmill	Additional Voice
	Stefan Grube	Additional Voice
	David Heckel	Additional Voice
	Eiji Inoue	Additional Voice
	Bjorn Johnson	Additional Voice

Crew View all

Director	Dan Trachtenberg
	Joshua Wassung
Writer	Micho Rutare, Dan Trachtenberg, Jim Thomas, John Thomas
Producer	John Davis, Larry Gordon, Stefan Grube, Ben Rosenblatt, Jim Thomas, John C. Thomas, Marc Toberoff, Dan Trachtenberg
Musician	Benjamin Wallfisch

Trailer

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Notes

My quick rating - 7.2/10. Predator: Killer of Killers delivers exactly what I was hoping the title promised: brutal, high-octane confrontations between humanity's fiercest warriors and cinema’s most lethal alien hunter. Presented in a stylized animated format, this anthology film leans into its genre roots with confidence, even if it doesn’t do much to surprise viewers beyond its bold visual choices.

The film is split into three segments, each centered around a warrior from a distinct historical period: a Viking raider on a revenge mission with her son, a ninja caught in a bloody feud with his samurai brother, and a WWII pilot confronting an aerial extraterrestrial threat. These three vignettes not only showcase man-versus-Predator action but also underline a strong theme of personal conflict—honor, vengeance, loyalty—woven into each era's setting.

The animation style immediately caught my eye. It’s slick, hyper-stylized, and highly kinetic, bringing out the intensity of the violence without losing clarity in the choreography. The action sequences are gloriously brutal and impressively choreographed, with each segment carrying its own visual flair and tone. My particular favorite is the second installment, set in feudal Japan. The setting, combined with the emotional weight of a sibling rivalry and an unforgettable fight sequence, makes it the strongest of the three.

The different Predator designs are also a welcome touch. Each one feels tailored to its time period and opponent, helping to keep things visually fresh and thematically in sync. However, one design choice is a bit of a head-scratcher—the Predators are absolutely jacked, built more like the Incredible Hulk than their usual lean, tactical selves. It’s not a dealbreaker, but the exaggerated bulkiness does undercut the stealthy hunter image a bit in favor of pure brute force.

Narratively, the film is fairly predictable. It follows a classic "kill or be killed" structure with a feel-good arc in each story. The ending ties the segments together decently and teases future stories in a way that feels natural without overreaching. As with all anthologies, some parts are stronger than others, but none of them feel weak or like filler.

Overall, Predator: Killer of Killers succeeds in what it sets out to do: deliver a visceral, action-heavy Predator experience across different periods of human history. While it doesn't reinvent the wheel and plays it relatively safe story-wise, the visual execution and concept are strong enough to warrant another round. If a sequel is coming, I’ll be there.

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