The Sixth Sense

"I see dead people," whispers little Cole Sear (Haley Joel Osment), scared to affirm what is to him now a daily occurrence. This peaked 9-year old, already hypersensitive to begin with, is now being haunted by seemingly malevolent spirits. Child psychologist Malcolm Crowe (Bruce Willis) is trying to find out what's triggering Cole's visions, but what appears to be a psychological manifestation turns out to be frighteningly real. It might be enough to scare off a lesser man, but for Malcolm it's personal--several months before, he was accosted and shot by an unhinged patient, who then turned the gun on himself. Since then, Malcolm has been in turmoil--he and his wife (Olivia Williams) are barely speaking, and his life has taken an aimless turn. Having failed his loved ones and himself, he's not about to give up on Cole.

This third feature by M. Night Shyamalan sets itself up as a thriller, poised on the brink of delivering monstrous scares, but gradually evolves into more of a psychological drama with supernatural undertones. Many critics faulted the film for being mawkish and New Age-y, but no matter how you slice it, this is one mightily effective piece of filmmaking. The bare bones of the story are basic enough, but the moody atmosphere created by Shyamalan and cinematographer Tak Fujimoto made this one of the creepiest pictures of 1999, forsaking excessive gore for a sinisterly simple feeling of chilly otherworldliness. Willis is in his strong, silent type mode here, and gives the film wholly over to Osment, whose crumpled face and big eyes convey a child too wise for his years; his scenes with his mother (Toni Collette) are small, heartbreaking marvels. And even if you figure out the film's surprise ending, it packs an amazingly emotional wallop when it comes, and will have you racing to watch the movie again with a new perspective. You may be able to shake off the sentimentality of The Sixth Sense, but its craftsmanship and atmosphere will stay with you for days. --Mark Englehart



Malcom Crowe is a child psychologist who receives an award on the same night that he is visited by a very unhappy ex-patient. After this encounter, Crowe takes on the task of curing a young boy with the same ills as the ex-patient. This boy "sees dead people". Crowe spends a lot of time with the boy (Cole) much to the dismay of his wife. Cole's mom is at her wit's end with what to do about her son's increasing problems. Crowe is the boy's only hope. Written by Jeff Mellinger




Child psychologist Malcom Crowe is one night visited by an ex-patient named Vincent, angry, enraged. He wounds Crowe, then kills himself. A few months later, Crowe is visited by a 9-year old boy named Cole. He sees dead people who do not know they are dead. Because of this, he is called a freak in school. Crowe, at first thinks he is seeing things, but after spending a lot of time with Cole (much to his wife's dismay), he discovers Cole may be seeing dead people after all. Written by neo101




Child psychiatrist Malcolm Crowe is confronted one night by his former patient Vincent Gray who he failed to help. After Vincent shoots Crowe in the stomach and kills himself, Crowe can't stop thinking about it. A few months later he is hired to help a troubled boy named Cole Sear, who has many of the same problems Vincent had. Crowe sees a chance to redeem himself, but doubts his ability to reach the boy, particularly when Cole claims to see ghosts who don't know they're dead. Written by rmlohner




SYNOPSIS

Dr. Malcolm Crowe (Bruce Willis), a prominent child psychologist, returns home one night with his wife, Anna Crowe (Olivia Williams), from an event in which he was honored for his work. His wife tells him that everything in the world is second to his job including her. The two discover they are not alone; a young man (Donnie Wahlberg) appears brandishing a gun. He says that he doesn't want to be afraid anymore and accuses Crowe of failing him. Crowe recognizes him as Vincent Grey, a former patient whom he treated as a child for hallucinations. Grey shoots Crowe in the lower abdomen, and seconds later turns the gun on himself.

The next fall, Crowe begins working with another boy, nine year-old Cole Sear (Haley Joel Osment), who has a condition similar to Vincent's. Crowe becomes dedicated to this patient, though he is haunted by doubts over his ability to help him after his failure with Vincent. Meanwhile, his relationship with his wife begins to fall apart due to his focus on work.

Once Crowe earns his trust, Cole eventually confides in him that he "sees dead people that walk around like regular people." Though Crowe at first thinks Cole is delusional, he eventually comes to believe that Cole is telling the truth and that Vincent may have had the same ability. He suggests to Cole that he try to find a purpose for his gift by communicating with the ghosts, perhaps to aid them in their unfinished business on Earth. Cole at first does not want to, because the ghosts terrify him, but he soon decides to try it. One is an overworked wife abused by her husband who slit her wrists; another that tries to hurt Cole is only heard as a voice who starts calmly pleading to Cole to let him out of the dark cupboard because he's suffocating, then yells at Cole that he didn't steal "the Master's horse" and threatens to attack Cole if he doesn't obey. The third ghost appears very briefly; a boy a bit older than Cole asks him to come into the room, to find the boy's father's gun. The boy turns around to show that he has a large gunshot exit wound on the back of his head.

Cole finally talks to one of the ghosts, a very sick girl who appears in his bedroom. He finds out where the girl, Kyra Collins (Mischa Barton), lived and goes to her house during her funeral reception. Kyra died after a prolonged illness and funeral guests note that Kyra's younger sister is starting to get sick, too. Kyra's ghost appears and gives Cole a box, which is opened to reveal a videotape. When Cole gives it to Kyra's father, the videotape shows Kyra's mother putting floor cleaner fluid in Kyra's food while she cared for Kyra during her illness. The continual illness may point to a slow poisoning in a case of Munchausen syndrome by proxy.[2]

Cole confesses his secret to his mother, Lynn (Toni Collette). Although his mother at first does not believe him, Cole soon tells Lynn that her own mother once went to see her perform in a dance recital one night when she was a child, and that Lynn was not aware of this because her mother stayed in the back of the audience where she could not be seen. He also tells her the answer to a question she asked when alone at her mother's grave. Lynn tearfully accepts this as the truth. Cole also counsels Crowe on his marriage, suggesting he try talking to his wife while she is asleep.

Crowe returns to his home, where he finds his wife asleep on the couch with the couple's wedding video on in the background, not for the first time. As she sleeps, Anna's hand releases Malcolm's wedding ring (which he suddenly discovers he has not been wearing), revealing the twist ending of the film: Crowe himself was actually killed by Vincent and was unknowingly dead the entire time he was working with Cole. Due to Cole's efforts, Crowe's unfinished business rectifying his failure to understand Vincent is finally complete. Recalling Cole's advice, Crowe speaks to his sleeping wife and fulfills the second reason he returned, saying she was "never second," and that he loves her. Releasing her to move on with her own life, he is free to leave behind the world of the living.