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Once Upon A Time In America

Once Upon A Time In America

Creative Design (Jun 01, 1984)
Action | Comedy | Crime | Drama
USA | English | Color | 04:11
Blu-ray
R (Restricted)
883929388608
| 1 disc
Region A

This Mafia film is the greatest and last work from Italian director Sergio Leone. Taking place in 1920 to 1960 America the film follows a group of Jewish gangsters from childhood into their glory years of the prohibition and as they reunite in their later years.



Epic tale of a group of Jewish gangsters in New York, from childhood, through their glory years during prohibition, and their meeting again 35 years later.
—Andrew Welsh




Complex tale of the life of New York gangsters from the period of the early 1900's through prohibition, and climaxing in their subsequent reunion in the 1960's. Loyal childhood friends enter a life of crime together that inevitably leads to tragedy.
—Grant Hamilton




Epic, episodic, tale of the lives of a small group of New York City Jewish gangsters spanning over 40 years. Told mostly in flashbacks and flash-forwards, the movie centers on small-time hood David 'Noodles' Aaronson and his lifelong partners in crime; Max, Cockeye and Patsy and their friends from growing up in the rough Jewish neighborhood of New York's Lower East Side in the 1920s, to the last years of Prohibition in the early 1930s, and then to the late 1960s where an elderly Noodles returns to New York after many years in hiding to look into the past.
—Matthew Patay




A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
—wsjacobs@gmail.com





SYNOPSIS

The story is divided among three distinct time periods: the early 1920s, the early 1930s and the year 1968. The story is also jumps back and forth between these times and is summarized chronologically here.

In 1968, David "Noodles" Aaronson (Robert De Niro), returns to the Lower East Side of Manhattan, NY following a prolonged absence. He has been called back to his old neighborhood under mysterious circumstances; he's received a notice from a local rabbi telling him that the cemetery in his old neighborhood is being closed and the remains of those buried there are being moved. He sets himself up in with a room in a bar owned by an old friend, Fat Moe (Larry Rapp), and begins to investigate the summons he received. Noodles is suspicious of the letter, thinking he's been called back to see to the reburial of his old friends, Patrick "Patsy" Goldberg (James Hayden), Philip "Cockeye" Stein (William Forsythe), and Max Bercovic (James Woods), who he used to be in a gang with. Noodles believes someone is seeking revenge against him.

In the earliest time period, the early 1920s, the boys grow up in poverty in a Jewish neighborhood of the Lower East Side. They ostensibly work for a young local gangster named Bugsy, however, Noodles and his friends Patsy, Cockeye and Dominic, have ambitions to strike out on their own. One day, while attempting to roll a drunk, they are foiled in their plot by Max, who is just moving into the neighborhood with his mother. He keeps the drunk's pocket watch and leaves the boys to be harassed by a policeman, Whitey (whom the boys call "Fartface") who constantly bullies them. Noodles finds Max later and demands the watch back. Whitey happens by and takes the watch for himself. Noodles and Max come to admire each others resolve and decide to be friends. Though Noodles and Max share the leadership of the gang, it is Max who is the more charismatic and makes most of the decisions for them.

One day Patsy spies Whitey walking along the rooftops of the neighborhood and follows him. Patsy immediately realizes that Whitey is going to see their pre-teen (and physically matured) friend, Peggy, who prostitutes herself. The boys catch Whitey in the act and photograph him; Patsy quickly disappears with the film plate. Whitey acquiesces to their demands that, as the new gang in the area, he pay them as much in tribute as he does Bugsy and that he do some enforcement work for them. They also get their watch back from him and make him pay for Noodles and Max to have sex with Peggy.

Noodles has long desired to be romantically involved with a girl, Deborah (Jennifer Connelly), who lives in his building and whose father owns the local kosher restaurant in the neighborhood. While using the men's room in the restaurant, David often spies on Deborah through a small hole in the wall while she practices her ballet steps. Deborah, however, mostly ignores his advances, with the exception of an intimate moment they share when the restaurant's closed during Passover.

The boys become something of a success in their neighborhood, thieving houses and stores and rolling more drunks and other weaker types for small earnings that are substantial for themselves. When Bugsy hears that there's another gang that isn't under his control, he and his thugs horribly beat Noodles and Max . Undaunted, the boys meet with a local Italian mobster, Capuano, and show him an invention of Noodles' that will allow Capuano to keep all the imported cargo he illegally deals even after his ships crews are forced to throw it overboard by harbor customs agents. The first time the boys use Noodles invention, it works perfectly and the boys are overjoyed at the cargo that floats to the surface. Max falls overboard and doesn't surface for a seemingly long amount of time. Noodles, worried that his friend has drowned, looks for him and is perturbed when Max finally appears.

The invention is a success and the boys become very wealthy, receiving 10% of Capuano's earnings. They rent a train station locker and stash their cash earnings in a leather briefcase, promising that they will only withdraw or deposit funds from the locker when they are all present and that the key will be kept by Fat Moe. On their way back from the station, they're attacked by Bugsy, who this time carries a pistol. Dominic is the only member of the gang who is shot by Bugsy (being the smallest, he is unable to run for cover as fast as his compatriots) and dies in Noodles' arms. Noodles retaliates and stabs Bugsy with a switchblade several times before a policeman tries to stop him - Noodles, still in a fit of rage about Dominic, stabs the cop and is arrested. He is sentenced to 12 years. His friends turn out to see him delivered to the child reformatory.

In the early 1930s, Noodles is released from prison and is picked up by Max. Max explains that he and the rest of the gang have set themselves up in an undertaking business. However, the mortician's parlor is a front for their real business, bootlegging liquor, which has made them rich. According to Max, they run the most popular speakeasy in the city; they hide the scotch they serve in the building's steam heating system. A party is held for Noodles on his return and Max introduces him to some new associates, Frankie Manoldi (Joe Pesci) and his partner Joe (Burt Young). Frankie and Joe want the gang to rob a diamond broker's they own in Detroit. During the heist, Noodles hits and rapes a woman, Carol (Tuesday Weld), who works there; she's a masochist who provokes Noodles into beating her; Noodles also does so despite a stern warning from Joe himself not to abuse her. The gang meets with Joe to give him the diamonds and kill him and his men on Frankie's orders. Noodles, unaware of the deal that Max made with Frankie to murder Joe, is quite angry with Max; his reasoning is that their gang should not be liable to anyone like Frankie and should operate independently. Also, Noodles is concerned that one day Frankie may want Noodles or Max to eliminate the other. Max assures Noodles it will never happen. As they drive away from the scene, Noodles foolhardily drives their car off a long pier into the bay. (A restored scene shows everyone except Noodles escaping the car and surfacing. After a few minutes, the guys are worried that Noodles may have been killed by a nearby dredging machine but he appears soon after, a reflection of Max tricking him when they were teenagers.)

The gang then begins to aid a local union leader, Jimmy "Clean Hands" O'Donnell (Treat Williams), who has made a career of standing up to corrupt labor leaders, particularly a man named Crowning. After rescuing Jimmy from Crowning's thug, Chicken Joe, who is about to burn him alive, the gang offers their assistance to Jimmy, who initially refuses their help, not wanting to deal with men who operate in bootlegging, drugs or prostitution.

The gang turns their attention to a local labor strike being engineered by a celebrity police captain, Vincent Aiello (Danny Aiello). Aiello is being manipulated by the factory owners into allowing his officers to protect the scab workers the owners have allowed into their factory. The gang concocts a brilliant and diabolical scheme to switch Aiello's newborn son (his family's only boy after four girls) at the hospital - Noodles calls him just after he discovers the switch (the gang switched his boy for a girl in the nursery) and tells him to call off his officers and let the workers and management work out the strike. However, when Patsy tries to remember which baby they switched Aiello's boy for, he can't; he's lost the switch list with the child's number on it. The mix-up doesn't faze the gang, however, & they agree to simply give Aiello the number of a random boy from the ward, coldly laughing over the fates of some of the children they'd mixed up.

During the time that the gang is expanding their business dealings, Noodles rekindles his romance with Deborah (now played by Elizabeth McGovern). He arranges for a lavish vacation for them both at a posh resort that is closed for the season. Noodles reveals his love for Deborah, however, she is still as reluctant to get romantically involved with him, and plans to leave for California to study acting. On their return trip, during a romantic encounter in their limousine, Noodles forces himself on Deborah and rapes her over her protests. Ashamed, he orders the driver to take her home. Some time later, Deborah boards a train to California; Noodles, from a distance in the station, watches her leave; she closes the compartment blind when she spots him.

While calling Max & Noodles for assistance, Jimmy is nearly killed on the street by Chicken Joe. The gang retaliates, shooting at Crowning outside his club, killing his bodyguards, including Chicken Joe. With a wounded leg, Jimmy is crippled for life but is able to continue his career. While they celebrate with Jimmy in the hospital, Jimmy's attorney, Shark, tells the gang that Prohibition may soon end and they should think about entering legitimate business with their large fleet of bootlegging trucks, with Jimmy acting as their front. Max seems to like the idea, however, Noodles is unconvinced, still adhering to his old mantra of not working for anyone but themselves. Max suggests that Noodles' idea of business is too archaic and that they need to expand to make more money, but Noodles still adheres steadfastly to his street code.

In late 1933, Prohibition approaches its end, and the gang find themselves out of work. Not wanting to go into legitimate work, Max reveals an audacious plan to rob the Federal Reserve bank in Manhattan. Noodles thinks the plan is too outrageous, knowing that it almost certainly would get him and the rest of the gang killed. By this time, the woman Noodles sexually assaulted in Detroit, Carol, has joined the brothel that Peggy runs (in conjunction with the gang's speakeasy) and has become Max's girlfriend. She tries to convince Noodles to get Max to abandon his plan or tip the police to get Max arrested to give him time to think over the scheme's absurdity. Noodles plans to alert the police about a liquor exchange Max has planned with Cockeye and Patsy, which is set to take place a short time after the gang's party in celebration of the end of Prohibition. Noodles does so and, when Max joins him in the office, provokes Max into a fight by suggesting his friend is crazy; it is a vulnerable fact of Max's life that his father was mentally unbalanced and died in a sanitarium. Noodles shows up at the site of the liquor buy and sees that Patsy and Cockeye have been killed and it appears Max has been burned beyond recognition. After returning to Fat Moe's bar and finding his girlfriend Eve murdered and Moe horribly beaten (depicted in the first scenes of the film), he retrieves the key to the locker at the train station. At the station, he finds that the money has been replaced with newspapers. Puzzled, Noodles buys a one-way bus ticket to Buffalo and leaves.

During his sleuthing in 1968, Noodles finds out that his friends were moved to a different cemetery and an elaborate mausoleum was constructed for them. He finds the key to the train station locker on a plaque inside that states Noodles himself put the plaque and key there to honor his friends. He goes to the locker and finds the same leather case and more money inside. A note inside the case says "Advance payment for your next job". According to news reports, a senator named Chris Bailey is under investigation for corruption; several witnesses set to testify against Bailey have all died under mysterious circumstances. Noodles suspects a connection between Bailey and the money left to him. Before visiting the senator's house under invitation, he talks to Carol who tells him that Deborah is once again living in the New York City area and is now a famous stage actress. Noodles visits her and the two have a lengthy conversation. Deborah's most important revelation is that she and Senator Bailey are together and have a grown-up son, also named David, who very closely resembles Max when he was younger.

Noodles goes to Bailey's Long Island mansion and meets directly with the Senator, who reveals himself to be Max. Max had faked his own death during the liquor exchange where he was "killed" and has, for the past 30 years, created the Bailey persona as a disguise. With the impending investigation for corruption, Max tells Noodles that he wants to be assassinated and that Noodles is the only person to do it (hence the money in the suitcase as an "advance for the next job"). Noodles refuses, saying that he feels betrayed and has felt guilty for the entire span Max was gone, which is punishment enough. He leaves through a secret passage; on the street outside Bailey's estate, he catches a glimpse of Bailey standing by the road. A garbage truck drives by, the augers in the back clearly visible, suggesting but not concluding for certain that Bailey has thrown himself into them to his death.

The film ends in the 1930s time period, with Noodles in a Chinese opium den. Laying down after a few puffs from an opium pipe, he smiles as the closing credits run.

(Note: It has been suggested by fans, critics and some film historians that the 1968 sequences were all part of an opium-induced dream experienced by Noodles.)


Cast View all

Robert De Niro Noodles
Jennifer Connelly Young Deborah
James Woods Max
Joe Pesci Frankie
James Russo Bugsy
William Forsythe Cockeye
Elizabeth McGovern Deborah
Estelle Harris Peggy's Mother
Treat Williams Jimmy O'Donnell
Burt Young Joe
Paul Herman Monkey
Marcia Jean Kurtz Max's Mother
Richard Bright Chicken Joe
Danny Aiello Police Chief Aiello
Louise Fletcher The Cemetery Directress
Brian Bloom Young Patsy
Mario Brega Mandy
Baxter Harris Reporter 3
Richard Foronjy Whitey
Darlanne Fluegel Eve
Tuesday Weld Carol
Frank Gio Beefy
Clem Caserta Al Capuano
Olga Karlatos Woman in the Puppet Theatre
Jerry Strivelli Johnny Capuano

Personal

Owner Kerry & Dawn
Location Movies-02
Storage Device TD 09
Purchased Oct 24, 2017
Quantity 1
Seen
Added Date Oct 24, 2017 18:38:54
Modified Date Apr 17, 2024 00:48:39

Edition details

Screen Ratios Widescreen (1.85:1)
Audio Tracks Dolby Digital 5.1 [French]
DTS-HD HR 5.1 [English]
DTS-HD Master Audio 5.1 [English]
Subtitles French | Spanish
Distributor Warner Brothers
Edition Release Date Sep 30, 2014

Notes

VersionRun Time
Extended Director's Cut4:11:09
Theatrical Cut3:49:19
  • For its U.S. theatrical release the film was cut by 90 minutes from 3 hours and 47 minutes to 2 hours and 19 minutes after savage reviews from American critics after the film's premiere at Cannes. Many film critics gave two separate reviews for the film. While the complete European version was highly praised outside the USA (but slated by many American critics when given a limited US release a few months after a heavily cut version was released) the edited US theatrical release was critically butchered.

  • UK cinema and video versions were cut by 10 secs by the BBFC to remove shots of a gun being pressed against a woman's breasts and to briefly shorten the rape scene in the car. The 2002 DVD is fully uncut.

  • When the 'complete' film was released on laser disc in America, it still had to be trimmed slightly from 229 minutes to 227 minutes, to secure an 'R' rating. Cuts were made to the two rape scenes, and some of the violence at the beginning. The final flashback montage of Max and Noodles as children was also eliminated from their final scene.

  • A network television version of three hours (without commercials) was briefly available in the early-to-mid-1990s, which retained the film's non-chronological order but still left out several key scenes. This version has recently turned up in viewings of the film for the AMC TV channel.

  • The infamous 139 minute American version was the version given wide release in America. Heavily cut by the Ladd Company against Leone's wishes, the film's story was rearranged in chronological order, which had the effect of making it even more difficult to follow. Most of the major cuts involved the childhood sequences, making the 1933 sections the most prominent part of the film. All of the scenes in 1968 with Deborah were excised, and the scene with "Secretary Bailey" ended with him shooting himself (albeit off-screen), rather than the famous garbage truck conclusion of the 229-minute version. The shortened version, while briefly on VHS in the 1980s, is in little demand and almost impossible to find.

  • The Brazilian DVD (Warner) is heavily censored by blurring and re-framing in the scene a woman pretends to be dead in the back of a hearse by blurring and re-framing. These cuts were originally made in the Korean release. The first Brazilian release by Flashstar is uncut.

  • For the DVD release in Germany, the film was completely redubbed. The reason for this is unknown since the VHS releases contained the original dub and were distributed by the same company as the DVD, Warner Home Video.

  • In 2012, The Film Foundation together with the Leone estate exhibited the 250-minute version of the film at Cannes. However, due to a settlement over copyright issues for international releases, the new version could only be shown in Italy first before it was finally released internationally in October 2014. The restored version adds the following six additional scenes:
    • Before the opening credits are displayed, additional disclaimers about the restoration are introduced, including that the film was restored and color corrected in 4K. The restoration adds more yellow to the film's visual look. However, the new scenes are based on the work print, which does not have the same color quality as the original prints could not be found, hence the semi-monochromatic look.

    • After Noodles looks upon his name on the memorial stone, he meets the cemetery director (an appearance by Louise Fletcher) and gets more information about the memorial. He sees a car nearby, realizing he's being watched. He's able to write down the license plate number.

    • A flashback where after the car falls into the water, the boys fooled around longer. But they were scared of Noodles as the freighter's shovel keeps aiming at the water. Back to 1968, Noodles eventually traces the car's license plate to Senator Bailey's address. The car that tailed him earlier in the cemetery emerges out of the compound and explodes shortly after.

    • After Noodles comes out of the door, the chauffeur criticizes his lifestyle (explains why he interferes during the rape). Noodles counters him with the financial benefits.

    • Eve's actual introduction: Noodles is left alone in the street after the rape. He visits a prostitute bar and had sex with Eve, the call girl whom was allowed to be called Deborah. The real Deborah walks out of the restaurant in disappointment.

    • Deborah performs the final scene of Shakespeare's Antony and Cleopatra before Noodles goes to visit her backstage.

    • There's a pivotal scene of Max / Senator Bailey with Jimmy. Jimmy and his other associates want him dead because of his many mistakes but there still remains some final organization details to be sorted out. Finally, Jimmy suggests that he commit suicide with the line "I'd be very happy for you tonight, if during all the noise of the party I'd hear a shot." This scene explains things like: why the car bomb went off during the second additional scene; dramatizes Max's motivation with Noodles in the next scene; completing the character arc of Jimmy from an idealistic union boss to a full-fledgling hoodlum; creates more uncertainty of what happened at the end with the garbage truck.


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