
German director Werner Herzog begins work on his 1982 epic "Fitzcarraldo" but soon runs into serious setbacks, from casting problems to his own stubborn refusal to use special effects. After having to reshoot much of the film because the lead actor was recast, his crew must then haul an old-fashioned steamboat over a mountain using manpower alone. With a resolve bordering on insanity, Herzog struggles to realize his vision, vowing to see the film completed -- even if it leads to his undoing.
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Werner Herzog | Self |
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Klaus Kinski | Fitzcarraldo |
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Claudia Cardinale | Molly |
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Jason Robards | Fitzcarraldo |
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Mick Jagger | Wilbur |
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Alfredo De Rio Tambo | Self |
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Ángela Reina | Self |
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Carmen Correa | Self |
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Elia De Rio Ene | Self |
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David Pérez Espinosa | Self |
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Miguel Angel Fuentes | Self |
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Mariano Gagnon | Self |
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Paul Hittscher | Self |
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Huerequeque Enrique Bohorquez | Self |
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Evaristo Nunkuag Ikanan | Self |
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Jose Lewgoy | Self |
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Laplace Martins | Self |
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Thomas Mauch | Self |
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Nelson De Rio Cenepa | Self |
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Walter Saxer | Self |
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Jorge Vignati | Self |
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Candace Laughlin | Narrator |
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Beat Presser | Self |
Director | Les Blank |
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Writer | Michael Goodwin | |
Producer | Les Blank, Kathy Kline, David R. Loxton, José Koechlin von Stein | |
Photography | Les Blank |
Nr Discs | 1 |
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Screen Ratios | Fullscreen (4:3) |
Audio Tracks | Stereo [English] |
Distributor | Criterion Collection |
Edition Release Date | Mar 15, 2016 |
Regions | Region 1 |
Watched | |
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Quantity | 1 |
Index | 2142 |
Added Date | Dec 25, 2018 19:35:41 |
Modified Date | Jun 12, 2022 00:34:47 |
Christmas 2018 gift from Beth
SPECIAL FEATURES
New, restored high-definition digital transfer
Audio commentary by director Les Blank, editor and sound recordist Maureen Gosling, and Fitzcarraldo director Werner Herzog
Dreams and Burdens, a new thirty-eight-minute interview with Herzog
Werner Herzog Eats His Shoe (1980), a twenty-minute film by Blank featuring Herzog fulfilling a bet
Deleted scenes
Photo gallery of images taken by Gosling
Trailer
New English subtitle translation
Plus: An essay by film scholar Paul Arthur
Cover illustration by Richard May, design by Martin Ogolter