
Wallace Shawn and Andre Gregory share life stories and anecdotes over the course of an evening meal at a restaurant.
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Andre Gregory | Andre Gregory |
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Wallace Shawn | Wallace Shawn |
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Jean Lenauer | Waiter |
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Roy Butler | Bartender |
Director | Louis Malle |
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Writer | Wallace Shawn, Andre Gregory | |
Producer | Dave Franke, George W. George, Beverly Karp, Keith W. Rouse | |
Musician | Allen Shawn | |
Photography | Jeri Sopanen |
Edition | The Criterion Collection |
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Packaging | Keep Case |
Nr Discs | 1 |
Screen Ratios | Widescreen (1.66:1) |
Audio Tracks | LPCM Mono [English] |
Subtitles | English (SDH) |
Distributor | The Criterion Collection |
Layers | Single side, Dual layer |
Regions | Region A |
Quantity | 1 |
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Index | 2722 |
Added Date | Aug 09, 2024 21:33:40 |
Modified Date | Jun 23, 2025 22:48:35 |
In this captivating and philosophical film directed by Louis Malle, actor and playwright Wallace Shawn sits down with his friend the theater director André Gregory at a restaurant on New York’s Upper West Side, and the pair proceed through an alternately whimsical and despairing confessional about love, death, money, and all the superstition in between. Playing variations on their own New York–honed personas, Shawn and Gregory, who also cowrote the screenplay, dive in with introspective intellectual gusto, and Malle captures it all with a delicate, artful detachment. A fascinating freeze-frame of cosmopolitan culture, My Dinner with André remains a unique work in cinema history.
BLU-RAY SPECIAL EDITION FEATURES
- High-definition digital restoration, with uncompressed monaural soundtrack
- Interview from 2009 with actor-writers André Gregory and Wallace Shawn, conducted by their friend the filmmaker Noah Baumbach
- “My Dinner with Louis,” a 1982 episode of the BBC program Arena in which Shawn interviews director Louis Malle
- English subtitles for the deaf and hard of hearing
- PLUS: An essay by critic Amy Taubin and the prefaces written by Gregory and Shawn for the 1981 publication of the film’s screenplay
New cover by Neil Kellerhouse