Spike Jonze’s debut feature film is a love story mix of comedy and fantasy. The story is about an unsuccessful puppeteer named Craig, who one day at work finds a portal into the head of actor John Malkovich. The portal soon becomes a passion for anybody who enters it’s mad and controlling world of overtaking another human body.
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John Cusack | Craig Schwartz |
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Cameron Diaz | Lotte Schwartz |
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Ned Bellamy | Derek Mantini |
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Eric Weinstein | Father at Puppet Show |
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Madison Lanc | Daughter at Puppet Show |
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Octavia Spencer | Woman in Elevator |
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Mary Kay Place | Floris |
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Orson Bean | Dr. Lester |
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Catherine Keener | Maxine Lund |
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K.K. Dodds | Wendy |
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Reginald C. Hayes | Don |
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Byrne Piven | Captain Mertin |
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Judith Wetzell | Tiny Woman |
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John Malkovich | John Horatio Malkovich |
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Kevin Carroll | Cab Driver |
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Willie Garson | Guy in Restaurant |
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W. Earl Brown | First J.M. Inc. Customer |
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Charlie Sheen | Charlie |
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Gerald Emerick | Sad Man in Line |
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Bill M. Ryusaki | Mr. Hiroshi |
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Carlos Jacott | Larry the Agent |
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James Murray | Student Puppeteer |
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Richard Fancy | Johnson Heyward |
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Patti Tippo | Malkovich's Mother |
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Daniel Hansen | Boy Malkovich |
| Director | Spike Jonze |
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| Writer | Charlie Kaufman | |
| Producer | Steve Golin, Charlie Kaufman, Michael Kuhn, Vincent Landay, Sandy Stern, Michael Stipe | |
| Musician | Carter Burwell | |
| Photography | Lance Acord | |
| Edition | Special Edition |
|---|---|
| Packaging | Keep Case |
| Nr Discs | 1 |
| Screen Ratios | Anamorphic Widescreen (1.85:1) Widescreen (1.85:1) |
| Audio Tracks | Dolby Digital 5.1 [English] Dolby Digital Surround [English] |
| Subtitles | English | English (Closed Captioned) | French | Spanish |
| Layers | Single side, Dual layer |
| Edition Release Date | May 02, 2000 |
| Regions | Region 1 |
| Watched | |
|---|---|
| Index | 43 |
| Added Date | Mar 10, 2012 13:58:28 |
| Modified Date | Jun 12, 2022 00:31:56 |
WSR Narrative Review
Story Synopsis:
If the idea of between-gigs puppeteer Craig Schwartz (Cusack) with a pet-obsessed wife (Diaz) taking a job with company on the seven-and-a-halfth floor with a loopy comprehension-challenged “executive liaison” (Place) who’s convinced her boss Dr. Lester (Bean) that he’s the one with the problem doesn’t make you want to dive head first into Being John Malkovich then your brain waves must be flatter than a flounder. While at that job on the seven-and-a-halfth floor, Craig finds a hidden door and is amazed to discover that it is a portal into the mind of John Malkovich himself. Along with his wife and an intriguing co-worker (Keener), the three come up with a plan to allow others to experience the wonders of Malkovich’ brain for $200 each.
DVD Picture:
Viewed in a completely blackened room, the anamorphically enhanced 1.85:1 DVD exhibits excellent image quality. The picture is stylized, often with cold blue and green hues, but with nicely balanced colors. Fleshtones are nicely rendered. Contrast and shadow delineation are pleasing, with a good gradation of visual information between darkness and picture black. Images are sharp with fine details for a picture that is solid with good clarity. There are no distractions for an intriguing picture that is beautifully rendered.
Soundtrack:
The Dolby® Digital 5.1-channel soundtrack is rather predictable, but nonetheless should be a fine match for this film’s genre. The audio will deliver a screen channel-oriented listening experience with minor surround activity. That is, of course, until you are taken inside John Malkovich! The POV scenes while you are inside the featured actor are very intriguing and the sound design is creatively noteworthy. The soundfield dramatically shifts to the surrounds, with the presence of an interesting rumble. Malkovich’s dialogue pervades the listening space, and the muffled sounds, which is a rendition of what you hear inside his head, is an interesting touch to the unique soundstage. The audio environment gets even more interesting when Malkovich "enters inside himself!" The dialogue features nicely recorded voices and fair spatial integration with some presence of close-miking. Deep bass is not a substantial factor in this film, although the .1 LFE kicks in gently and low frequencies can often be noticed. The music is a good recording, and is integrated into the sound mix with ample depth and envelopment. This will surely be an interesting film to experience; the audio certainly being an important aspect of it.
This Disc Contains The Following WSR-Rated Superb Qualities:
Collector Edition
Superb Cinematography