The owners (and handlers) of five show dogs head for the Mayflower Kennel Club Dog Show. A film crew interviews them as they prepare for the trip, arrive at Philly's Taft Hotel, and compete. From Florida come the Flecks: she keeps running into old lovers. A wordless ancient in a wheelchair and his buxom trophy wife who may have a thing for the dog's handler own the two-time defending best in show,
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Jay Brazeau | Dr. Chuck Nelken |
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Parker Posey | Meg Swan |
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Michael Hitchcock | Hamilton Swan |
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Catherine O'Hara | Cookie Fleck |
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Eugene Levy | Gerry Fleck |
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Carrie Aizley | Fern City Show Spectator |
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Lewis Arquette | Fern City Show Spectator |
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Dany Canino | Fern City Show Judge |
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Bob Balaban | Dr. Theodore W. Millbank / III |
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Will Sasso | Fishin' Hole Guy |
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Stephen E. Miller | Fishin' Hole Guy |
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Christopher Guest | Harlan Pepper |
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Michael McKean | Stefan Vanderhoof |
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John Michael Higgins | Scott Donlan |
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Colin Cunningham | New York Butcher |
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Jehshua Barnes | Scott's Wild Date |
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Patrick Cranshaw | Leslie Ward Cabot |
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Jennifer Coolidge | Sherri Ann Cabot |
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Don Lake | Graham Chissolm |
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Scott Williamson | Winky's Party Guest |
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Deborah Theaker | Winky's Party Guest |
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Rachael Harris | Winky's Party Guest |
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Jane Lynch | Christy Cummings |
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Fulvio Cecere | Airport Passerby |
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Linda Kash | Fay Berman |
| Director | Christopher Guest |
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| Writer | Christopher Guest, Eugene Levy | |
| Producer | Gordon Mark, Karen Murphy | |
| Musician | CJ Vanston | |
| Photography | Roberto Schaefer | |
| Packaging | Snap Case |
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| Nr Discs | 1 |
| Screen Ratios | Anamorphic Widescreen (1.85:1) Widescreen (1.85:1) |
| Audio Tracks | Dolby Digital 5.1 [English] Dolby Digital 5.1 [French] |
| Subtitles | English | English (Closed Captioned) | French |
| Layers | Single side, Dual layer |
| Edition Release Date | May 15, 2001 |
| Regions | Region 1 |
| Watched | |
|---|---|
| Index | 44 |
| Added Date | Mar 10, 2012 13:58:28 |
| Modified Date | Jun 12, 2022 00:31:57 |
WSR Narrative Review
Story Synopsis:
Get ready to roll over from laughter with Christopher Guest’s most recent howl, a mostly improvised look at dog shows and their denizens. Come along with a diverse, and heel-arious, group of dog owners as they all converge on the Mayflower Kennel Club’s annual show vieing for the coveted Best In Show honors. Who will win the silver cup and big, blue ribbon? Cookie and two-left-footed (literally) Gerry Fleck (O’Hara and Levy), proud parents of Winky the Norwich Terrier? Meg and Hamilton Swan (Posey and Hitchcock), the squabbling brats whose Weimaraner, Beatrice, is traumatized after seeing them having sex? Scott and Stefan (Higgins and McKean), life partners with Miss Agnes the Shih Tzu? Amateur ventriloquist bloodhound owner Harlan Pepper (Guest)? Or two-time Mayflower winner, Standard Poodle Rhapsody In White...the bitch with two mommies (Coolidge and Lynch)? Speak up now for your favorite, or sit around with a pocketful of dried liver and stay around for the final stacking. Fred Willard is his usual terrific inane self, here as commentator, Buck Laughlin. (Laurie Sevano)
DVD Picture:
The anamorphically enhanced 1.78:1 mockumentary exhibits fine image quality for its style. The picture is sharp and nicely detailed, with nicely rendered background definition. Colors are well balanced, with accurate fleshtones, and deep blacks; especially impressive at the dog show. Contrast and shadow delineation are nicely rendered. There are some minor instances in which pixelization and shimmering details are noticed, but overall the picture is quite solid and should surely satisfy. There is a bit of edge enhancement noticed, but nothing terribly distracting. (Suzanne Hodges)
Soundtrack:
The Dolby® Digital 5.1-channel audio tends to have a predominant focus toward the center channel. The soundtrack is also dialogue-driven, and as such is considerably conservative in terms of dimensional utilization. However, there is some notable sonic imaging across the screen, particularly during the show where effects and sometimes music are spread amongst the screen channels and gently into the surrounds. The sense of being in holosonic listening space isn’t as liberal as for other films but is quite ample at times. Fidelity is remarkable and voices have been nicely recorded, albeit with some characteristics of a close-miked production. This is a tastefully produced soundtrack that is of a quiescent nature. (Perry Sun)