Buddy Amaral, a successful and self-absorbed Los Angeles advertising executive, switches airline tickets with a stranger just before boarding a long-delayed flight so that he might enjoy an overnight fling with a pretty Dallas businesswoman. When the plane goes down, killing all aboard, Buddy's guilt soon turns into an alcohol problem. As part of his 12-step program, Buddy seeks atonement and decides to seek out the woman he thinks he's left a widow.
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Ben Affleck | Buddy Amaral |
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Edward Edwards | Ron Wachter |
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Jennifer Grey | Janice Guerrero |
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Tony Goldwyn | Greg Janello |
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Natasha Henstridge | Mimi |
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Lisa Carpenter-Prewitt | Carol Wilson |
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Lisa Joyner | TV Announcer |
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Gwyneth Paltrow | Abby Janello |
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Richard Saxton | CNN Reporter |
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Caroline Aaron | Donna Heisen |
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David Dorfman | Joey Janello |
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Alex D. Linz | Scott Janello |
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Juan Garcia | Kevin Walters |
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Mary Ellen Lyon | Ellen Seitz |
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Joe Morton | Jim Willer |
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Thea Mann | Karen |
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Matthew Frauman | Luke |
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Sam Robards | Todd Exner |
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Ty Murphy | Josh |
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David McCharen | Infinity Air Commercial Narrator |
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Julianne Christie | Zola |
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Jeff Garlin | Emcee |
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Johnny Galecki | Seth |
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Nicole Tocantins | Dionne |
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Ashley Montgomery | Prom Girl |
| Director | Don Roos |
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| Writer | Don Roos | |
| Producer | Michael Besman, Alan C. Blomquist, Bobby Cohen, Enfys Dickinson, Steve Golin, Bob Osher, Meryl Poster, Bob Weinstein, Harvey Weinstein | |
| Musician | Mychael Danna, Dean Landon | |
| Photography | Robert Elswit | |
| Edition | Special Edition |
|---|---|
| Packaging | Custom Case |
| Nr Discs | 2 |
| Screen Ratios | Anamorphic Widescreen (1.85:1) Widescreen (1.85:1) |
| Audio Tracks | Commentary [English] Dolby Digital 5.1 [English] Dolby Digital Stereo [French] |
| Subtitles | English | English (Closed Captioned) | Spanish |
| Layers | Single side, Dual layer |
| Edition Release Date | Apr 10, 2001 |
| Regions | Region 1 |
| Watched | |
|---|---|
| Index | 54 |
| Added Date | Mar 10, 2012 13:58:28 |
| Modified Date | Jan 29, 2023 18:32:41 |
Story Synopsis:
Buddy Amaral (Affleck) is your typical advertising exec. Callous, pushy, and a little full of himself, he has what it takes to land the big accounts...and the ladies. One day, while sitting out a flight delay with two strangers, he decides to give up his seat to one of them who was bumped from their flight in order to hit on the woman they are sitting with. The flight crashes and the man is killed. Suffering from deep guilt, Buddy eventually looks up Abby (Paltrow), the widow of the man he feels he sent to his death. He falls deeply in love with her, but worries about how she will feel about him if he tells her his responsibility in her husband’s death. Bounce is not a feel good romantic romp; be prepared to feel uncomfortable. (Laurie Sevano)
DVD Picture:
The anamorphically enhanced 1.85:1 DVD picture exhibits a lovely, naturally balanced color scheme, with natural fleshtones, rich hues, and deep blacks. The picture is often quite easy-on-the-eyes, with sharp and detailed images that appear very realistic. Contrast and shadow delineation are nicely rendered, with good visual information even in the darkest scenes. The picture is solid, with few distractions, though a hint of edge enhancement is noticed from time to time. (Suzanne Hodges)
Soundtrack:
The Dolby® Digital 5.1-channel soundtrack has moments in which there is a subtle, rather pleasing sense of spaciousness and envelopment, but much of the presentation is characterized by a substantial bias toward the screen. In some instances, there is even a collapse toward mono. The music is the predominant multichannel element of the sound mix and has been nicely recorded, with a satisfying, holosonic presence at times, but also tends to be limited to the screen channels. Voices have been recorded with convincingly natural tonality and noteworthy spatial integration. The use of deep bass is expectedly limited, but on occasion there is the palpable low-end foundation to the music. This is a soundtrack production that doesn’t require dimensional sophistication, yet could have benefited somewhat from a more consistent use of space in achieving subtle yet effective sonic delivery. (Perry Sun)