
Young hobbit Frodo Baggins, after inheriting a mysterious ring from his uncle Bilbo, must leave his home in order to keep it from falling into the hands of its evil creator. Along the way, a fellowship is formed to protect the ringbearer and make sure that the ring arrives at its final destination: Mt. Doom, the only place where it can be destroyed.
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Cate Blanchett | Galadriel |
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Christopher Lee | Saruman |
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Ian McKellen | Gandalf |
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Andy Serkis | Gollum |
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Hugo Weaving | Elrond |
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Sean Bean | Boromir |
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Orlando Bloom | Legolas |
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Ian Holm | Bilbo |
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Elijah Wood | Frodo |
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John Rhys-Davies | Gimli |
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Marton Csokas | Celeborn |
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Viggo Mortensen | Aragorn |
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Sean Astin | Sam |
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Liv Tyler | Arwen |
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Dominic Monaghan | Merry |
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Billy Boyd | Pippin |
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Sala Baker | Sauron |
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Phil Grieve | Hero Orcs/Goblins/Uruks/Ringwraiths |
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Katie Jackson | Cute Hobbit Child |
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Billy Jackson | Cute Hobbit Child |
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Lee Hartley | Hero Orcs/Goblins/Uruks/Ringwraiths |
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Craig Parker | Haldir |
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Lawrence Makoare | Lurtz |
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Alan Howard | Voice of the Ring |
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Harry Sinclair | Isildur |
Director | Peter Jackson |
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Writer | J.R.R. Tolkien, Fran Walsh, Philippa Boyens, Peter Jackson | |
Producer | Peter Jackson, Michael Lynne, Mark Ordesky, Barrie M. Osborne, Rick Porras, Tim Sanders, Jamie Selkirk, Robert Shaye, Ellen Somers, Fran Walsh, Bob Weinstein, Harvey Weinstein | |
Musician | Howard Shore | |
Photography | Andrew Lesnie |
Edition | Platinum Series Special Extended Edition |
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Packaging | Custom Case |
Nr Discs | 4 |
Screen Ratios | Theatrical Widescreen (2.35:1) |
Audio Tracks | Dolby Digital 5.1 EX [English] Dolby Digital Surround [English] DTS 6.1 ES [English] |
Subtitles | English (Closed Captioned) |
Layers | Single side, Dual layer |
Edition Release Date | Nov 12, 2002 |
Regions | Region 1 |
Watched | |
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Quantity | 1 |
Index | 668 |
Added Date | Mar 10, 2012 13:58:31 |
Modified Date | Jun 12, 2022 00:33:11 |
Story Synopsis:
“The Lord Of The Rings: The Fellowship Of The Ring” is the first part of an epic trilogy to tell J.R.R. Tolkien’s tale in its entirety, tackled by the capable director Peter Jackson. Thankfully, the film begins with a brief history of the rings...namely the ring that falls into the hands of a humble Hobbit named Frodo Baggins (Wood). The ring has the ability to enslave the world if it falls into the hands of any tainted inhabitant of Middle-earth. Frodo is commanded by the wizard Gandalf (McKellen) to cast the ring into the fires at Mount Doom in the dreadful land of Mordor, the evil site where it was created and the only place where it can be destroyed. Accompanying Frodo is a brave Fellowship, sworn to protect Frodo and the ring: three Hobbits (Astin, Boyd, and Monaghan), Gandalf, two human warriors (Mortensen and Bean), an elf archer (Bloom), and a Viking-like dwarf (Rhys-Davies). The quest is a dangerous one, with the Fellowship under constant pursuit by the evil forces who want possession of the ring. Despite the deadly obstacles that the Fellowship must face, Frodo has an additional fear: will anyone in the Fellowship betray him on his perilous journey? This Special Extended DVD Edition offers a 228-minute running time and expands, among other things, on the Hobbits, Galadriel’s relationship with Frodo, and the time the Fellowship spends at Lothlorién. Yet, just like the theatrical version, the story ends with a tremendous void of what is to come...leaving audiences no choice but to mark their calendars for part two: The Two Towers. Winner of four Academy Awards. (Suzanne Hodges)
DVD Picture:
The anamorphically enhanced 2.40:1 DVD exhibits virtually the same great image quality as the previously released DVD, with the addition of seamlessly added scenes for this expanded edition. Hues are rich and vibrant, with color schemes that suit individual locations throughout. While The Shire is filled with inviting, fully saturated greens and golds; Moria has a dank, dark, and cold feeling with lots of blue and grays; and Rivendell glows with golden autumn hues under a soft, hazy light, offering an appearance that is easy-on-the-eyes. Of course, a softer focus is used at times, along with lighting and smoke effects to create an aura specific to scenes dedicated to the Elves of Rivendell and the High Elves of Lothlorién. Details are nicely rendered throughout. Contrast and shadow delineation are nicely depicted, also depending on the mood and setting of the scene. The picture tends to look just slightly cleaner than the theatrical version regarding pixelization (perhaps due to splitting the film onto two discs), but just enough to realize that this should be the definitive version for DVD. Edge enhancement is present at times, but only occasionally bothersome. Still, edge enhancement is not to be confused with digitally composited shots, which reveal a soft ring around a character in full shots shared by a short Hobbit and a tall human or Elf. The source element is revealing of only an occasional artifact. (Suzanne Hodges/Gary Reber)
Soundtrack:
The DTS-ES 6.1 soundtrack offers slight yet quite noticeable refinements over the Dolby Digital version, itself already an excellent audio presentation. The DTS-ES audio sounds slightly more open and refined in the midrange, and spatial coherence seems a little better defined for a greater level of holosonic spaciousness. The team at MiCasa Multimedia, who worked with the remix and mastering of the first DVD release, as well as the original creators of the soundtrack, have done an excellent job with the new segments relevant to the special edition, and dovetailing them into the original film version. The soundtrack presentation is superb, with an open, airy soundstage presence throughout and exemplary fidelity. An outstanding aspect of this production is Howard Shore's music score, which has been very well-recorded, and has a dimensional character that just seems to convincingly encircle you, providing for a downright effective visceral foundation to each setting. In Chapter 37, there is a key moment for which sound effects actually take a back seat to the music, and it is here that you can really appreciate the emotional momentum imparted through both the melodic theme and the spatial character. The dialogue is also a fine recording, with voices having particular distinctiveness. Spatial integration of the dialogue is remarkable throughout. Overall, this is a very dynamic, loud, and powerful soundtrack, with caution advised at or near reference level, as there are instances of extreme sound pressure levels and energy at the lowest frequencies. The deep bass comprises extension to well below 25 Hz in all channels. In addition to the many effects that call for substantial low-end content, the music score also has a very generous, rich, articulate deep bass character. The myriad sound effects throughout have all been very well-crafted and recorded, with those that are poignant imparting a particularly visceral presence through their sheer creativity (such as the nearly fatal arrow “hits” in Chapter 37). Their distribution throughout the listening space should speak for themselves, abundantly enveloping the listener and at other times creating an effective world of expansiveness. These are particularly standout features of this soundtrack, as you should really be able to perceive a sonic environment that fully encircles. The back surround channel plays a major role in the creation of that wide, open, airy soundstage all around you, and as well, there are some instances where, by itself, it becomes a creative asset, such as in the beginning of Chapter 18. This is a wonderful, splendid soundtrack presentation and an essential element in the full experience of this epic. (Perry Sun)
This Disc Contains The Following WSR-Rated Superb Qualities:
Reference Quality
Collector Edition
Superb Sound Effects Recording Quality
Superb Music Score Recording Quality
Superb Special Visual Effects Quality
Superb Cinematography