Natural Born Killers – Director's Cut

Cast View all

	O-Lan Jones	Mabel
	Woody Harrelson	Mickey Knox
	Juliette Lewis	Mallory Wilson Knox
	Ed White	Pinball Cowboy
	Richard Lineback	Sonny
	Lanny Flaherty	Earl
	Carol-Renee Modrall	Short Order Cook
	Rodney Dangerfield	Mallory's Dad
	Edie McClurg	Mallory's Mom
	Sean Stone	Kevin
	Jerry Gardner	Work Boss #1
	Jack Caffrey	Work Boss #2
	Leon Skyhorse Thomas	Work Boss #3
	Robert Downey Jr.	Wayne Gale
	Corinna Everson	TV Mallory
	Dale Dye	Officer Dale Wrigley
	Edward Conna	Gerald Nash
	Evan Handler	David
	Kirk Baltz	Roger
	Terrylene	Julie
	Maria Pitillo	Deborah
	Josh Richman	Soundman
	Matthew Faber	Kid #1
	Jamie Harrold	Kid #2
	Jake Grace	Kid #3

Crew View all

Director	Oliver Stone
Writer	Quentin Tarantino, David Veloz, Richard Rutowski, Oliver Stone
Producer	Risa Bramon Garcia, Jane Hamsher, Arnon Milchan, Thom Mount, Don Murphy, Richard Rutowski, Clayton Townsend, Rand Vossler
Musician	Brent Lewis
Photography	Robert Richardson

Trailer

Edition details

Personal

Notes

Story Synopsis:
Mickey and Mallory (Harrelson & Lewis) are Natural Born Killers and are rapidly becoming media darlings. As they make their way across the Southwest committing abominable acts of mayhem and murder, they begin with the help of bloodthirsty media to attract a cult following, particularly among our impressionable youth... all delivered in hyperkinetic style. Make certain the kids are out of the room! (Laurie Sevano)

DVD Picture:
Viewed through the component video output, the non-anamorphic 1.85:1 DVD picture has both color and black and white scenes, among other film formats like sequences of animation and video that are nicely rendered. Colors are subtly rendered with rich hues and natural fleshtones. Contrast and shadow delineation are pleasing throughout, as is the overall image quality.

Soundtrack:
The Dolby® Digital 5.1-channel soundtrack is a nicely spatial experience. Deep bass is present via the .1 LFE. The audio is sometimes aggressively spread throughout the soundfield, but often is confined to the screen, particularly with the music, which itself is two-channel in nature. (The latter happens often enough as to have likely been a creative intention.) Dialogue is convincingly spatial.

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