Frank Corvin, "Hawk" Hawkins, Jerry O'Neill and Tank Sullivan were hotdog members of Project DAEDALUS, the Air Force's test program for space travel. Their hopes were dashed in 1958 with the formation of NASA and the use of trained chimps. They blackmail their way into orbit when Russia's mysterious Ikon communications satellite's orbit begins to degrade and threatens to crash into Earth.
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Clint Eastwood | Frank Corvin |
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Tommy Lee Jones | Hawk Hawkins |
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Donald Sutherland | Jerry O'Neill |
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James Garner | Tank Sullivan |
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James Cromwell | Bob Gerson |
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Marcia Gay Harden | Sara Holland |
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William Devane | Eugene Davis |
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Loren Dean | Ethan Glance |
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Courtney B. Vance | Roger Hines |
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Barbara Babcock | Barbara Corvin |
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Rade Serbedzija | General Vostov |
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Blair Brown | Dr. Anne Caruthers |
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Jay Leno | Jay Leno |
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Nils Allen Stewart | Tiny |
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Deborah Jolly | Cocktail Waitress |
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Toby Stephens | Young Frank |
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Eli Craig | Young Hawk |
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John Asher | Young Jerry |
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Matt McColm | Young Tank |
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Billie Worley | Young Gerson |
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Chris Wylde | Jason |
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Anne Stedman | Jason's Girlfriend |
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James MacDonald | Capcom |
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Kate McNeil | Female Astronaut #1 |
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Karen M. Waldron | Female Astronaut #2 |
| Director | Clint Eastwood |
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| Writer | Ken Kaufman, Howard Klausner | |
| Producer | Clint Eastwood, Andrew Lazar, Tom Rooker | |
| Musician | Lennie Niehaus | |
| Photography | Jack N. Green | |
| Packaging | Snap Case |
|---|---|
| Nr Discs | 1 |
| Screen Ratios | Theatrical Widescreen (2.35:1) Widescreen (1.85:1) |
| Audio Tracks | Dolby Digital 5.1 [English (Closed Captioned)] Dolby Digital 5.1 [English] Dolby Digital 5.1 [French] |
| Subtitles | English | French |
| Layers | Single side, Dual layer |
| Edition Release Date | Apr 17, 2001 |
| Regions | Region 1 |
| Watched | |
|---|---|
| Index | 272 |
| Added Date | Mar 10, 2012 13:58:33 |
| Modified Date | Jun 24, 2025 17:38:47 |
Story Synopsis:
Four of the best pilots in the U.S. Air Force are in training to be the first Americans in space. But just as the launch date approaches, the Air Force is replaced by a new civilian agency known as NASA, and the Space Cowboys are replaced by a chimpanzee! The four members of Team Daedalus couldn’t be more stunned as they see their dreams of space exploration evaporate. But then, some forty years later, the flyboys are pressed into action: an ancient Russian communications satellite known as IKON is sorely in need of repair to its navigational systems, and the aging officers are the only ones who understand the outdated technology on board well enough to repair it and keep the space station from crashing into the earth. (Laurie Sevano)
DVD Picture:
The anamorphically enhanced 2.25:1 DVD opens with gorgeous monochromatic blue-gray scenes, which almost appear to be black-and-white, but have a more subtle, smooth appearance. The film progresses to fully saturated color, with well-balanced fleshtones and deep, undefined blacks. Images are sharp and detailed, though some scenes are a bit soft. Contrast and shadow delineation are nicely rendered. Edge enhancement can be bothersome at times. Fine details, like miniblinds, rarely create problems, as the picture is mostly solid and quite natural in appearance. (Suzanne Hodges)
Soundtrack:
The Dolby® Digital 5.1-channel discrete soundtrack is a remarkable presentation, delivering excellent fidelity and a combination of subtle and prominently spacious holosonic soundfields. The music score, from Lennie Niehaus has been very well recorded, and its integration into the soundstage is certainly noteworthy, delivering impressive expansiveness and envelopment. The dialogue is an excellent production, with natural tonality and exemplary spatial consistency with the visuals. The opening 1958 flashback for Frank Corvin is a remarkable example of engaging the listening space to its effective potential, with aggressive split surround envelopment and selective, yet engaging, spatial distribution. Needless to say, there’s the impressive space shuttle launch (Chapter 24), imparting very deep and powerful low frequencies through all channels as well as an energetic, aggressive soundfield presence from the roar of the engines. (As you might expect, this soundtrack will likely push your subwoofer to the limit, with aggressive .1 LFE utilization and substantial low-end content below 25Hz.) Much of this soundtrack is about subtlety and moderation, in terms of dimension, but even so the sound effects and music come together nicely, resulting in soundfields that are effectively wide, expansive and immersive (along with enhanced spaciousness in the surrounds though the extraction of phantom surround imaging with the SMART® Devices CS-3X, Jr. or equivalent). These are also effectively contrasted with the more intense scenes, such as in Chapter 33 as the beleaguered shuttle re-enters the Earth’s atmosphere. This soundtrack was the first to be re-recorded in Skywalker Sound’s Stag Theatre. The efforts from the sonic creative team (led by Christopher Boyes, who is credited as both a sound designer and a re-recording mixer) have resulted in an impressively entertaining, compelling storytelling listening experience that is to be commended for both its technical and and esthetic merits.(Perry Sun)
This Disc Contains The Following WSR-Rated Superb Qualities:
Superb Sound Effects Recording Quality
Superb Music Score Recording Quality
Reference Quality