
Having never fully recovered from a prom date that became a total disaster, a man finally gets a chance to reunite with his old prom date, only to run up against other suitors including the sleazy detective he hired to find her.
![]() |
Cameron Diaz | Mary |
![]() |
Matt Dillon | Healy |
![]() |
Ben Stiller | Ted |
![]() |
Lee Evans | Tucker |
![]() |
Chris Elliott | Dom |
![]() |
Lin Shaye | Magda |
![]() |
Jeffrey Tambor | Sully |
![]() |
Markie Post | Mary's Mom |
![]() |
Keith David | Mary's Dad |
![]() |
W. Earl Brown | Warren |
![]() |
Sarah Silverman | Brenda |
![]() |
Khandi Alexander | Joanie |
![]() |
Marnie Alexenburg | Lisa |
![]() |
Danny Murphy | Boss' Brother |
![]() |
Richard Tyson | Detective Krevoy |
![]() |
Rob Moran | Detective Stabler |
![]() |
Jackie Flynn | South Carolina Police |
![]() |
Hillary Matthews | Dom's Wife |
![]() |
Willie Garson | Dr. Zit Face |
![]() |
David Shackelford | Coconut Guy |
![]() |
David Goryl | Petey |
![]() |
Lori Brener | Friend #3 |
![]() |
Jeffrey P. Lerner | Car Hood Kid #1 |
![]() |
Cory Pendergast | Car Hood Kid #2 |
![]() |
Brett Favre | Brett Favre |
Director | Danny Byers |
![]() |
Peter Farrelly |
![]() |
|
Writer | Ed Decter, John J. Strauss, Peter Farrelly, Danny Byers | |
Producer | Frank Beddor, Mark Charpentier, Danny Byers, Peter Farrelly, Marc S. Fischer, Patrick Healy, James B. Rogers, Michael Steinberg, Bradley Thomas, Charles B. Wessler | |
Musician | Jonathan Richman | |
Photography | Mark Irwin |
Edition | Special Edition |
---|---|
Packaging | Keep Case |
Nr Discs | 1 |
Screen Ratios | Widescreen (1.85:1) |
Audio Tracks | Dolby Digital 5.1 [English] Dolby Digital Surround Dolby Digital Surround [English] Dolby Digital Surround [French] |
Subtitles | Czech | Danish | English | English (Closed Captioned) | Finnish | Norwegian | Polish | Portuguese | Spanish | Swedish |
Layers | Single side, Single layer |
Edition Release Date | Mar 06, 2001 |
Regions | Region 1 |
Watched | |
---|---|
Quantity | 1 |
Index | 304 |
Added Date | Mar 10, 2012 13:58:33 |
Modified Date | Jun 12, 2022 00:33:53 |
Story Synopsis:
Thirteen years after an unfulfilled prom date with outgoing Mary Jenson (Diaz), the still-lovesick Ted Stroehmann (Stiller) is prompted to hire Pat Healy (Dillon), a man of questionable morals, to track her down in the rude, crude hilarious comedy There’s Something About Mary. (Laurie Sevano)
DVD Picture:
While the 1.85:1 DVD picture is not anamorphically enhanced, it exhibits pleasing quality when viewed in component video. Colors are naturally rendered, with accurate fleshtones, rich and warm colors and deep, pure blacks. Contrast and shadow delineation are nicely rendered with an accurate gradation between darkness and picture black. However, the picture exhibits minor compression pixelization. Still, the picture is beautifully rendered.
Soundtrack:
The Dolby® Digital discrete 5.1 soundtrack has a conventional mix, but is wanting in overall bass response and surround envelopment. The music score is terrific, with catchy tunes. The discrete soundstage images wide, but often collapses to mono or to stereo with a bias towards the screen soundstage. However, during moments when the soundfield is energized, the discrete excels with split surrounds. Dialogue sounds natural with good spatial integration.
DVD/Previously Reviewed LD Comparative Review:
The 1.85:1 DVD is not anamorphically enhanced, and exhibits similar quality when compared to the LaserDisc reviewed in Issue 32. However, finer detail and clarity is apparent by direct comparison. Colors are naturally rendered, as are contrast and shadow delineation. Though bettering the LaserDisc in all aspects, the DVD exhibits minor compression pixelization that wouldn’t be apparent had the DVD been anamorphically enhanced.
The Dolby® Digital discrete 5.1 soundtrack on the DVD and previously reviewed LaserDisc has a conventional mix, but is wanting in overall bass response and surround envelopment compared to the matrix PCM soundtrack on LaserDisc. The music score is terrific, with catchy tunes. The discrete’s soundstage images wider, but often collapses to mono or to stereo with a bias towards the screen soundstage. The soundfield is sometimes energized with split surrounds. Dialogue sounds natural with good spatial integration.