Wim Wenders: The Road Trilogy: Alice In The Cities / Wrong Move / Kings Of The Road (Criterion Collection)

In the 1970s, Wim Wenders was among the first true international breakthrough artists of the revolutionary New German Cinema movement, a filmmaker whose fascination with the physical landscapes and emotional contours of the open road proved to be universal. In the middle of that decade, Wenders embarked on a three-film journey that took him from the wide roads of Germany to the endless highways of the United States and back again. Each starring Rüdiger Vogler as the director’s alter ego, Alice in the Cities, Wrong Move, and Kings of the Road are dramas of emotional transformation that follow their characters’ searches for themselves, all rendered with uncommon soulfulness and visual poetry.


ALICE IN THE CITIES
Wim Wenders 1974

The first of the road films that would come to define the career of Wim Wenders, the magnificent Alice in the Cities is an emotionally generous and luminously shot odyssey.


WRONG MOVE
Wim Wenders 1975

With depth and style, Wim Wenders updates a late-eighteenth-century novel by Goethe, transposing it to 1970s West Germany and giving us the story of an aimless writer (Rüdiger Vogler) who leaves his hometown to find himself and winds up befriending a group of other travelers.


KINGS OF THE ROAD
Wim Wenders 1976

A roving film projector repairman (Rüdiger Vogler) saves the life of a depressed psychologist (Hanns Zischler) who has driven his Volkswagen into a river, and they end up on the road together, traveling from one rural German movie theater to another.