British Film Institute (BFI) (1988)
Dráma
UK | Angol | Színes | 1ó 25p
Távoli Hangok, csendélet
The second film in Terence Davies's autobiographical series (along with "Trilogy" and "The Long Day Closes") is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies's own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.
|
Freda Dowie | Mother |
|
Pete Postlethwaite | Father |
|
Angela Walsh | Eileen |
|
Dean Williams | Tony |
|
Lorraine Ashbourne | Maisie |
|
Sally Davies | Eileen as a Child |
|
Nathan Walsh | Tony as a Child |
|
Susan Flanagan | Maisie as a Child |
|
Michael Starke | Dave |
|
Vincent Maguire | George |
|
Antonia Mallen | Rose |
|
Debi Jones | Micky |
|
Chris Darwin | Red |
|
Marie Jelliman | Jingles |
|
Andrew Schofield | Les |
|
Anne Dyson | Granny |
|
Jean Boht | Aunty Nell |
|
Alan Bird | Baptism Priest |
|
Pauline Quirke | Doreen |
|
Matthew Long | Mr Spaull |
|
Frances Dell | Margie |
|
Carl Chase | Uncle Ted |
|
Roy Ford | Wedding Priest |
|
Terry Melia | Military Policeman |
|
John Thomalla | Military Policeman |
| Rendező | Terence Davies |
|
| Író | Terence Davies | |
| Producer | Jennifer Howarth, Colin MacCabe | |
| Fényképezte | William Diver, Patrick Duval | |
| Csomagolás | Keep Case |
|---|---|
| Lemezek száma | 1 |
| Képernyőarány | Widescreen (1.78:1) |
| Hangsávok | Dolby Digital Stereo [English] |
| Feliratok | Hungarian |
| Kiadás megjelenése | Júl. 30, 2007 |
| Régiók | Region 2 |
| Hely | HDD 20 |
|---|---|
| Index | 16879 |
| Hozzáadva | Nov. 11, 2016 21:55:26 |
| Módosítva | Dec. 07, 2025 22:51:21 |