A lonely young man, Mario, meets a lonely young woman, Natalia. Mario is lonely for social reasons; he is a stranger and a newcomer to town. Natalia is lonely because she has always lived in isolation, even in the heart of the city. Her loneliness is intensified because she is in love with a man who may not ever return to her, but who continues to occupy her heart to the exclusion of any other possible relationship.Mario thanks the young woman for the moment of happiness she has brought him. However, he is left alone at the end of the film, befriending the same stray dog he met at the beginning. He is back at square one, and has put more energy into pursuing the fantasy of an obsession rather than any prospect of real love.
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Maria Schell | Natalia |
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Marcello Mastroianni | Mario |
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Jean Marais | L'inquilino |
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Marcella Rovena | La padrona della pensione |
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Maria Zanoli | La domestica |
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Elena Fancera | La cassiera |
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Lanfranco Ceccarelli | Un coinvolto nella rissa |
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Angelo Galassi | Un coinvolto nella rissa |
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Renato Terra | Un coinvolto nella rissa |
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Corrado Pani | Un giovinastro |
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Dirk Sanders | Il ballerino |
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Clara Calamai | La prostituta |
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Giorgio Albertazzi | L'inquilino |
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Lys Assia | La cantante |
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Romano Barbieri | Il figlio della famiglia amica di Mario |
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Alberto Carloni | Il locandiere |
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Dino D'Aquilio | Un ragazzino |
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Enzo Doria | Il marinaio che balla |
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Anna Filippini | La figlia della famiglia amica di Mario |
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Carla Foscari | |
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Biagio Gambini | Dancer |
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Ferdinando Gerra | Il padre della famiglia amica di Mario |
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Giorgio Listuzzi | La guardia di finanza |
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Leonilde Montesi | La madre della famiglia amica di Mario |
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Sandro Moretti | Un giovinastro |
| Director | Luchino Visconti |
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| Writer | Fyodor Dostoevsky, Suso Cecchi d'Amico, Luchino Visconti | |
| Producer | Franco Cristaldi, Jean-Paul Guibert, Giuseppe Maggi, Mario Maggi | |
| Musician | Nino Rota | |
| Photography | Giuseppe Rotunno | |
| Nr Discs | 1 |
|---|---|
| Layers | Single side, Single layer |