Product Description
There are writers who specialize in the strange and others whose genius is to find the strangeness in the familiar, the unexpected meanings in stories we thought we knew. Of that second category, Lawrence Weschler is the master. Witness the pieces in this splendidly disorienting collection, spanning twenty years of his career and the full range of his concerns–which is to say, practically everything.
Only Lawrence Weschler could reveal the connections between the twentieth century’s Yugoslav wars and the equally violent Holland in which Vermeer created his luminously serene paintings. In his profile of Roman Polanski, Weschler traces the filmmaker’s symbolic negotiations with his nightmarish childhood during the Holocaust. Here, too, are meditations on artists Ed Kienholz and David Hockney, on the author’s grandfather and daughter, and on the light and earthquakes of his native Los Angeles. Haunting, elegant, and intoxicating, Vermeer in Bosnia awakens awe and wonder at the world around us.
About the Author
Lawrence Weschler is the author of more than ten books, including Mr. Wilson’s Cabinet of Wonder, which was shortlisted for both the Pulitzer Prize and the National Book Critics Circle Award. He was a staff writer at The New Yorker for more than twenty years and is a regular contributor to McSweeney’s. Since 2001 he has been the director of the New York Institute for the Humanities at New York University. He lives in Westchester County, New York, with his wife and daughter.
| Owner | Literature |
|---|---|
| Index | 1060 |
| Added Date | Jan 05, 2016 18:07:06 |
| Modified Date | Jul 18, 2022 19:23:27 |
Though ultimately difficult to categorize, the simplest way to describe what Lawrence Weschler does for money would be to say he is an art critic. However readers familiar with Weschler's work will understand why this label seems so insufficient. As a contributer to some of the more important journals of cultural and artistic thought, Weschler not only expounds educatedly on the art and lives of some of the greatest creative minds of history, but he also manages to find ways to uncover the deeper connections that underlie and tie together the experiences and creative output of seemingly disparate times, ideas and cultures. For example, rather than including a separate critical/biographical pieces about such essential talents as Roman Polanski, Jerzy Urban and Art Spieglman, he presents the reader with a triad of Polish surival stories. Moreover, these are not lightweight, breezy reads that can be absorbed in a single trip to the bathroom. Rather, you find deeply insightful, rigorously researched theses exploring how the unique life experiences of his subjects mirror patterns evident in their own respective bodies of work. Ultimately, reading Weschler makes one more attuned to the complex series of interconnections in the world around us--he activates the critical eye in each of us. Readers should also not pass up on the recently collected anthology of his writing on 'convergences', "Everything That Rises".
| Library of Congress |