British Film Institute (1999)
Issue #0
Caravaggio (1986) is probably the closest Derek Jarman came to a mainstream film. Nevertheless, the film reflects Jarman's major concerns: violence; history; homosexuality, and the relation between film and painting. Unlike Jarman's other work it avoids sentimentalizing gay relationships.
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| Index | 179 |
| Added Date | May 02, 2016 06:52:11 |
| Modified Date | May 02, 2016 06:52:11 |