The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.
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Arthé Anthony | Self |
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Anthony Barboza | Self |
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Hugh Bell | Self |
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David G. Berger | Self |
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Dawoud Bey | Self |
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Sheila Pree Bright | Self |
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Marcus Bruce | Self |
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Michael Chambers | Self |
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Albert Chong | Self |
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Lisa Gail Collins | Self |
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Bridget Cooks | Self |
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Adger W. Cowans | Self |
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Renee Cox | Self |
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C. Daniel Dawson | Self |
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Roy DeCarava | Self |
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Jonathan Eubanks | Self |
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Delphine Fawundu-Buford | Self |
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Cheryl Finley | Self |
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Lola Flash | Self |
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Jack T. Franklin | Self |
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Coco Fusco | Self |
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Ed Guerrero | Self |
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Lyle Ashton Harris | Self |
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Thomas Allen Harris | Self |
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Chester Higgins Jr. | Self |
| Director | Thomas Allen Harris |
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| Writer | Thomas Allen Harris, Paul Carter Harrison, Don Perry, Deborah Willis | |
| Producer | Lauren Beck, Ann Bennett, Alison Duke, Thomas Allen Harris, Sabrina Hawkins, Sheila Maniar, Don Perry, John Singleton, Kimberly Steward, Gregory Warren Jr., Deborah Willis | |
| Musician | Miles Jay, Vernon Reid | |
| Photography | Martina Radwan | |
| Nr Discs | 1 |
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| Distributor | First Run Features |
| Layers | Single side, Single layer |
| Regions | Region 1 |
| Watched | |
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| Index | 3302 |
| Added Date | Mar 07, 2016 22:23:48 |
| Modified Date | Sep 20, 2016 08:50:54 |
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