| 1. | All In The Family: Season 1 | 1971 |
| 2. | All In The Family: Season 2 | 1971 |
| 3. | All In The Family: Season 3 | 1972 |
| 4. | All In The Family: Season 4 | 1973 |
| 5. | All In The Family: Season 5 | 1974 |
| 6. | All In The Family: Season 6 | 1975 |
| 7. | All In The Family: Season 7 | 1976 |
| 8. | All In The Family: Season 8 | 1977 |
| 9. | All In The Family: Season 9 | 1978 |
| 10. | All in the Family: Season 10 | 1971 |
| 11. | All in the Family: Season 11 | 1971 |
| 12. | All in the Family: Season 12 | 1971 |
| 13. | All in the Family: Season 13 | 1971 |
All In The Family
All in the Family was first seen in January of 1971 and immediately changed the face of television. Not only was this the number one television series from 1971 through 1976, but it also signified an avalanche of other situation comedies that dealt with controversial subjects in realistic ways, including Chico and the Man, The Jeffersons, Maude, Good Times and Sanford and Son.
The series centered around the Bunker family who lived in a home located at 704 Houser Street in Queens, New York. Archie Bunker was the main character, and what a character he was. He was televisons most famous bigot, crass and down right rude. Yet he was loveable, with a soft side just beneath the surface. Edith Bunker was his somewhat dizzy wife whom he called "Dingbat". Edith put up with Archie and had qualities about her that made her one of television's most unforgetable characters. Also living in the Bunker household were Archie and Edith's daughter, Gloria, and her husband Mike, or "Meathead".
Archie's freeloading cousin, Oscar, dies in the guest bedroom. Archie and Mike host an impromptu wake in their home as they ponder whether to hold a funeral service or simply dispose of Oscar's body as cheaply as possible.
An artist friend of the Stivics wants to paint a portrait of Gloria in her birthday suit, prompting a debate over the morality of nude art.
Archie manages to get himself arrested when he goes to rescue Mike from an out-of-control protest.
Edith writes a poem and gets a letter from a company that wants to turn it into a song for only $30. Archie buys a "dog alarm" and a gun to protect the house all for only $60. The family gets into an argument over which is more important and Archie agrees to give the gun back. That night two burglars, who have just robbed a jewelry store, break into the house and hold the Bunkers hostage until the heat is off. At one point, the thief threatens to take off with the $30 but Edith talks him out of it by offering to sing the song. After hearing her sing, they decide that the Bunkers are in such sad shape that it would be cruel to rob them. The next day Archie reads in the newspaper that the crooks were arrested, and Mike reveals that he fixed the dog alarm by replacing it with Edith's singing.
On their first anniversary, Mike and Gloria reminisce (in flashback) the first time Gloria brought the Meathead home to meet the man that would become his father-in-law.
Archie and Mike argue over who's the best candidate in a local election.
Edith's shopping cart gets away from her, resulting in a minor paint scratch. Out of the cart pops a can of "mmmm-mmmm" (cling peaches) in heavy syrup, causing a dent in the hood. Edith leaves a note on the car and the owner comes by to collect the damages.
A corrupt real estate agent encourages Archie to sell his home for more than its market value.
Mike's anxiety over his upcoming college exams causes him to temporarily become sexually impotent.
At the same time Archie is told to lay off part of his crew at work, he gets a notice informing him that his homeowner's insurance has been canceled.
Archie is eager to watch his "man-in-the-street" interview on "The CBS Evening News" with Walter Cronkite, but can't find a working television set.
Edith's liberal cousin, Maude Findlay, arrives to help in caring for a flu-ridden Archie and Mike.
Archie is depressed at Christmas because his boss canceled his holiday bonus (purportedly for screwing up a work order) and he doesn't know how to break the news to his family.
Archie is a passenger in an elevator that stalls between floors, and reacts predictably to his fellow passengers: A black businessman, a scatterbrained secretary and a Puerto Rican man and his very pregnant wife, who goes into labor.
Edith's irritability as of late may be a sign of her going through menopause. Archie is frustrated when he finds out she can't possibly have her "change of life" in 30 seconds.
A visiting FBI agent's investigation puts Archie's longtime friendship with an old war buddy in jeopardy.
Mike's ex-girlfriend contends that he fathered her 4-year-old son. Mike strongly denies he ever became serious with her, but furious Gloria and irate Archie aren't interested in his side of the story.
Archie doesn't want to appear in court as a witness when he sees a mugging. When finally approached by a detective, he claims gangsters were responsible.
When Mike and Gloria are gone, Archie and Edith get a chance to share quality time at home alone.
Edith's wealthy cousin gives her a mink as a present.
The classic tale about the time Sammy Davis Jr. stopped by to visit the Bunkers. It begins with a briefcase he left in Archie's cab ... and ends with the kiss of infamy.
Edith tries to mediate a grievance after Archie is accused of breaking a coin-operated washing machine at the Laundromat. Will her efforts succeed before the matter proceeds to small-claims court?
Archie frets over the man with whom Edith shared something special before they met.
Archie and Edith travel to upstate New York to attend Carol Findlay's wedding.
|
Rob Reiner | Michael 'Meathead' Stivic |
|
Sally Struthers | Gloria Bunker-Stivic |
|
Jean Stapleton | Edith Bunker |
|
Carroll O'Connor | Archie Bunker |
|
Mike Evans | Lionel Jefferson |
|
Isabel Sanford | Mrs. Jefferson |
|
Roscoe Lee Browne | Hugh Victor Thompson III |
|
Bill Macy | Uniformed Policeman |
|
Peggy Rea | Cousin Bertha |
|
Allan Melvin | Sgt. Pulaski |
|
Beatrice Arthur | Cousin Maude |
|
Mel Stewart | Henry Jefferson |
|
Brendan Dillon | The Bartender |
|
Billy Halop | Mr. Munson |
|
Marcia Rodd | Carol Findlay |
|
Robert R. Barry | Man at the Door |
|
M. Emmet Walsh | Billy Hartfield |
|
Hector Elizondo | Carlos Mendoza |
|
Phil Proctor | Wendell |
|
Richard Dysart | Russ DeKuyper |
|
Connie Sawyer | Mrs. McNab |
|
Eileen Brennan | Angelique McCarthy |
|
Bob Hastings | Kelcy |
|
Barnard Hughes | Father Majeski |
|
Frank Campanella | Det. Sgt. Perkins |
| Director | John Rich |
|
| Writer | Norman Lear, Johnny Speight, Michael Ross, Bernard West, Don Nicholl, Phil Mishkin, Lee Kalcheim, Burt Styler, Alan J. Levitt, Rod Parker, Austin Kalish, Paul Wayne, David Pollock, Elias Davis, Irma Kalish | |
| Producer | Norman Lear, George Turpin, Bud Yorkin | |
| Nr Discs | 1 |
|---|---|
| Layers | Single side, Single layer |
| Index | 1796 |
|---|---|
| Added Date | Dec 25, 2022 02:52:46 |
| Modified Date | Dec 25, 2022 02:52:46 |