The second screen version of the Ben Hecht / Charles MacArthur play The Front Page , His Girl Friday changed hard-driving newspaper reporter Hildy Johnson from a man to a woman, transforming the story into a scintillating battle of the sexes. Rosalind Russell plays Hildy, about to foresake journalism for marriage to cloddish Bruce Baldwin ( Ralph Bellamy ). Cary Grant plays Walter Burns, Hildy's editor and ex-husband, who feigns happiness about her impending marriage as a ploy to win her back. The ace up Walter's sleeve is a late-breaking news story concerning the impending execution of anarchist Earl Williams ( John Qualen ), a blatant example of political chicanery that Hildy can't pass up. The story gets hotter when Williams escapes and is hidden from the cops by Hildy and Walter—right in the prison pressroom. His Girl Friday may well be the fastest comedy of the 1930s, with kaleidoscope action, instantaneous plot twists, and overlapping dialogue. And if you listen closely, you'll hear a couple of "in" jokes, one concerning Cary Grant 's real name (Archie Leach), and another poking fun at Ralph Bellamy's patented "poor sap" screen image. Subsequent versions of The Front Page included Billy Wilder 's 1974 adaptation, which restored Hildy Johnson's manhood in the form of Jack Lemmon , and 1988's Switching Channels , which cast Burt Reynolds in the Walter Burns role and Kathleen Turner as the Hildy Johnson counterpart. — Hal Erickson

Criterion.com: One of the fastest, funniest, and most quotable films ever made, His Girl Friday stars Rosalind Russell as reporter Hildy Johnson, a standout among cinema’s powerful women. Hildy is matched in force only by her conniving but charismatic editor and ex-husband, Walter Burns (played by the peerless Cary Grant), who dangles the chance for her to scoop her fellow newswriters with the story of an impending execution in order to keep her from hopping the train that’s supposed to take her to Albany and a new life as a housewife. When adapting Ben Hecht and Charles MacArthur’s smash hit play The Front Page, director Howard Hawks had the inspired idea of turning star reporter Hildy Johnson into a woman, and the result is an immortal mix of hard-boiled newsroom setting with remarriage comedy. Also presented here is a brand-new restoration of the 1931 The Front Page, the famous pre-Code adaptation of the same material, directed by Lewis Milestone.