normal
bold
narrow
normal
bold
The Terminator

The Terminator

Orion Pictures (Oct 26, 1984)
Action | Apocolyptic | Dystopian | Science Fiction | Thriller
USA | English | Color | 01:48
Special Edition
Blu-ray
R (Restricted)
027616854735
| 1 disc
Region A
Keep Case

This is the film that cemented Schwarzenegger's spot in the action-brawn firmament, and it was well deserved. He's chilling as the futuristic cyborg who kills without fear, without love, without mercy. James Cameron's story and direction are pared to the bone and all the more creepy. But don't overlook the contributions of Linda Hamilton, who more than holds her own as the Terminator's would-be victim, Sarah Connor--thus creating, along with Sigourney Weaver in Alien, a new generation of rugged, clear-thinking female action stars. It's surprising how well this film holds up, and how its minimalist, malevolent violence is actually way scarier than that of its far more expensive, more effects-laden sequel. --Anne Hurley




A cyborg is sent from the future on a deadly mission. He has to kill Sarah Connor, a young woman whose life will have a great significance in years to come. Sarah has only one protector - Kyle Reese - also sent from the future. The Terminator uses his exceptional intelligence and strength to find Sarah, but is there any way to stop the seemingly indestructible cyborg ? Written by Colin Tinto




In the future, Skynet, a computer system fights a losing war against the humans who built it and who it nearly exterminated. Just before being destroyed, Skynet sends a Terminator back in time to kill Sarah, the mother to be of John Connor, the Leader of the human resistance. The terminator can pass for human, is nearly indestructible, and has only one mission, killing Sarah Connor. One soldier is sent back to protect her from the killing machine. He must find Sarah before the Terminator can carry out it's mission. Written by John Vogel




In the year 2029, a computer called Skynet is fighting against a human resistance, after having nearly destroyed the rest of humanity in 1997. Skynet has found a way to send some of it's warriors, called Terminators, back in time. This is the story of the Terminator sent to kill the resistance leader's mother in 1984, before she gives birth. The resistance sends a warrior named Kyle Reese back to 1984 to protect the young woman. The question is, can Sarah Connor survive long enough to have her child so that history remains on tracK? Written by Anonymous




A cyborg assassin called "The Terminator" is sent back through time to 1984 to kill the seemingly innocent Sarah Connor-a woman whose unborn son will lead the human race to victory in a bitter future war with a race of machines. If the Terminator succeeds, mankind is doomed. Sarah's only hope is a soldier from that post-apocalyptic war, who has chased the Terminator back through time. The future of the human race depends on which one finds her first... Written by Ed Martin




A machine that looks human is sent back in time to the late 20th century. His mission is to kill Sarah Connor and her unborn son, John Connor. Doing so would result in having John's entire existence destroyed so he won't exist to help the humans fight a war against the machines. Kyle Reese, one of the soldiers in this war, has been sent back in time to stop the Terminator. Written by Ricky Steck (rickysteck@sbcglobal.net)




SYNOPSIS

Over an apocalyptic battlefield dominated by robotic war machines, some like tanks, others are hovercrafts, a title card tells us that in the future, humans will wage a long war against an enemy known as the Machines. The "final battle" however, will not be fought in this future world, but in the past, specifically our present.

The year switches to 1984. Lighting emanates from above a garbage truck, knocking out power. The driver sees an object ahead of him and flees as the electrical surge dissipates. The object is a man (Arnold Schwarzenegger), naked and heavily muscular, and he stands up and starts walking toward the city where he is spotted by three young punks. The man orders the men to give him their clothes, and the punks produce knives in response. The giant swats two punks aside, the third stabs him, but the giant tears open the punk's body and kills him, taking his clothes.

In a downtown alley, a homeless man sees a bright light just above the ground. A scarred, naked man, muscular but much smaller in size than the other man who arrived in a similar fashion, is forced through the portal and lands in the alley, in obvious pain. The naked man takes the homeless man's clothes, just as a police car pulls up and two cops yell at him to freeze. The man is able to hide and attacks one of the cops, taking his pistol. The cop becomes puzzled by the man's question of the date and year. When the cop's partner arrives, the man runs into a department store. He steals several items, including a pair of Nike sneakers and a long coat and escapes the store. In another alley outside, he steals a shotgun from an unoccupied squad car. Finding a phone book nearby, he looks up the name "Sarah Connor."

Elsewhere a young woman, Sarah Connor (Linda Hamilton), lives the life of a lonely waitress. Sharing an apartment with her friend Ginger, Sarah is living out a boring life that seems to go nowhere.

The larger man steals a car and goes to a local sporting goods store where he has the owner show him several assault weapons and a pistol with laser sighting. He asks for a "phased-plasma rifle"; the owner tells him "only what you see, pal". The owner tells his customer that he can take the rifles right away but the pistol has a waiting period. As he explains the process, the man loads the shotgun and shoots the man. Shortly after, the man finds a phone book and looks for the name "Sarah Connor" finding three listings in the Los Angeles area. He goes to the address of the first listing; as he walks to the front door, a small dog barks at him. When Sarah Connor opens the door, man forces his way inside and brutally murders her with the pistol he acquired. Not long after, Sarah's coworker drags her to the television where Sarah sees that a woman sharing her name has been murdered by an unidentified assailant.

Sarah and her roommate, Ginger, prepare for separate dates. Ginger's boyfriend, Matt, will be coming over to spend the night. Sarah gets a message from her date, who cancels. Sarah decides to go out for pizza and sees a news report where the police announce the death another woman sharing her name. Sarah becomes worried, and when she sees she is being followed (by the young man who evaded the police), she ducks into a small dance club called Tech Noir. She tries to call Ginger, however Ginger and Matt do not hear the phone while having sex. Not long after Sarah's call, Matt and Ginger are both attacked by the killer, who shoots both of them dead before hearing Sarah's voice on a message machine saying where she is. Sarah then phones the police department and is connected to Lt. Traxler, the detective investigating the Sarah Connor killings. He tells Sarah to stay put until he can get a squad car to her. The killer arrives at the club, dispatches a bouncer, and works his way inside.

In the meantime, the second man who arrived via the electrical storm, Kyle Reese (Michael Biehn), has also entered the dance club. Sarah is spotted by the killer, which aims its laser sighted pistol at her. Reese fires on the killer, hitting it with several blasts and knocking it to the floor. He tells Sarah "Come with me if you wanna live" and Sarah sees the man Reese shot impossibly rise to its feet. Reese and Sarah escape through the back door of the club, with the killer chasing them -- as he chases them, we learn that the killer is a robot of some kind who sees them through a computerized form of vision. Reese blasts the gas tank of a nearby car which explodes. The killer is unfazed, and jumps on the hood of Reese's car, smashing through the windshield and grasping at Sarah. Reese maneuvers his car and throws the killer off. Reese speeds off while the killer subdues a cop (screenwriter William Wisher) and takes his car.

During the chase, Kyle explains that Sarah has "been targeted for termination" and that the killer chasing them is not a man but a machine called a "terminator"; a metallic combat chassis covered with living human tissue to make it appear human. Reese also explains that Sarah is destined to give birth to the humans' future leader John Connor. Reese further explains that a nuclear war was initiated by a new, powerful computer system (referred to as "Skynet" in the first sequel) that was tasked with controlling all defense systems. Reese himself did not see the ensuing nuclear holocaust but grew up destitute and starving in the ruins. He was enslaved and marked with a barcode and was forced to work loading bodies into incinerators. The human race, he says, was on the verge of extinction when Sarah's son, John, was able to organize the remaining humans into an effective resistance movement that, by the time Reese was sent back to the present day by Connor himself, had defeated Skynet. In desperation, Skynet sent the Terminator to the present day to murder Sarah and eliminate John Connor's existence. Reese also explains that the Terminator pursuing Sarah, is a new model, one that appears infinitely more human than it's predecessors. Reese tells her the android will bleed, sweat and even has bad breath to enhance the disguise. Reese is uncertain that he can defeat the android without having the advanced weaponry of the future.

While hiding out in a parking garage, Reese gets rid of his first car and steals a second one. The Terminator finds them there and the chase resumes. Reese has Sarah take over driving and is able to hit the Terminator with a few blasts from his shotgun. Sarah stops their car and the Terminator crashes into a wall. When she and Reese are arrested, she sees that the Terminator has escaped the scene.

At Traxler's police precinct, Sarah is told that Ginger is dead and that Reese has been given to a psychiatrist, Peter Silberman. His story about the Terminator is treated as the babbling of extreme delusion. While watching the videotape of the interview, Silberman eagerly says that a case like Reese's could be career-making. During the interview, Silberman asks Reese why he didn't bring weaponry from the future with him, to which Reese replies that only living material will go through the time portal. Reese quickly becomes agitated and begins to scream into the camera that the Terminator must be destroyed or it will not stop until it kills Sarah.

The Terminator goes back to a shoddy hotel room where it hides out. It removes one of it's eyes that had been damaged when it was shot by Reese. Under the eye is a sophisticated robotic eye that glows red. It dons a set of sunglasses and marches out to resume the hunt for Sarah, taking a SPAS shotgun and an AR-15 rifle.

At the police precinct, the Terminator arrives in the foyer and asks to see Sarah. The desk sergeant refuses to let the Terminator in. The Terminator goes outside and roars back in, crashing a car into the desk. It marches through the precinct ruthlessly slaughtering every officer it finds. In the battle, Traxler is killed and Reese escapes confinement. He finds Sarah and the two escape the precinct. Realizing Kyle's story is true, Sarah is told about the future where humans barely survive amid the wreckage of cities and the predations of the Terminators. She lapses into sleep and has a nightmare of a firefight where Terminators break into a human sanctuary and massacre scores of civilians. Kyle himself is there; after finding a place to rest after a Resistance patrol, he takes out a Polaroid photo of Sarah and admires it. Alerted by dogs (who can sense a Terminator) at the entrance to the bunker, Reese joins the valiant fight to a Terminator that has gotten in. The Terminator, carrying a heavy plasma gun, slaughters everyone and causes an explosion that cripples Reese. Reese sees the picture of Sarah being burned nearby.

Later the two reach a roadside motel, where Kyle goes to purchase chemicals needed to make explosives. While he is shopping (using "borrowed" money) Sarah showers and phones her mother, telling her the phone number where she is - unaware that her "mother" is actually the Terminator recreating the voice of her real - and now dead - mother.

The two make a stockpile of explosives and wait. When Sarah asks Kyle if he has ever had a lover, he replies he has not, a fact that touches Sarah. Kyle then mentions having a photo of Sarah and how he has fallen in love with her. Realizing he has gone too far, he furiously begins loading explosives, but Sarah stops him and kisses him. The two lose their inhibition and make love. Their consummation results in the conception of Sarah's (and Kyle's) son, John.

The Terminator tracks them to the hotel and the two flee again in a stolen pickup truck. Reese makes a valiant effort to destroy the Terminator with the pipe bombs he and Sarah made, however, he is hit by gunfire and Sarah loses control of their truck, flipping it over. The Terminator recovers and is immediately struck by a semi-tanker truck and dragged for a short distance. After the driver stops, the Terminator kills him and takes control of the truck, attempting to run down Sarah. Near a factory, Kyle uses another pipe bomb to detonate the truck's tank trailer, which explodes. As Reese and Sarah embrace, the Terminator emerges from the wreckage, it's flesh completely burned off. Reese and Sarah retreat into the factory, which is automated. Reese switches on as many of the machines as he can, making tracking more difficult for the Terminator. They are finally cornered and Reese places his last bomb in the endoskeleton of the Terminator, which explodes, scattering pieces of the android. Sarah, nursing a severely injured leg, finds Reese, but he's dead.

She is suddenly attacked by the top half of the Terminator's skeleton. She desperately crawls away, finally luring the Terminator into a giant hydraulic press. She traps it there and, as it mindlessly tries to break her neck, pushes the button activating the press. The Terminator is crushed until it's red glowing eye fades.

Sarah is taken to an ambulance and sees the paramedics put Kyle into a body bag. Later, she is driving a Jeep in the desert, seemingly towards Mexico, stopping at a gas station. She has been recording using a cassette player; the tapes are for her son. One of the questions she poses is whether or not she should tell John about Reese being his father and if that will affect his decision to send the warrior back in time to meet and save Sarah. While the Jeep's tank is filled, a young boy takes her picture with a Polaroid camera (it is the same picture Reese admires in Sarah's dream of his future). She and the boy bargain over the price and she buys it. The boy says something Spanish and the gas station owner tells her he said "A storm's coming!" Sarah sees the storm approaching and says "I know." She drives off into an unknown future.


Cast View all

Arnold Schwarzenegger Terminator
Michael Biehn Kyle Reese
Linda Hamilton Sarah Connor
Paul Winfield Traxler
Lance Henriksen Vukovich
Rick Rossovich Matt
Bess Motta Ginger
Earl Boen Silberman
Dick Miller Pawn Shop Clerk
Shawn Schepps Nancy
Bruce M. Kerner Desk Sergeant
Franco Columbu Future Terminator
Bill Paxton Punk Leader
Brad Rearden Punk
Brian Thompson Punk
William Wisher Policeman
Ken Fritz Policeman
Tom Oberhaus Policeman
Ed Dogans Cop in Alley
Joe Farago TV Anchorman
Hettie Lynne Hurtes TV Anchorwoman
Tony Mirelez Station Attendant
Philip Gordon Mexican Boy
Anthony Trujillo Mexican Boy
Stan Yale Derelict

Personal

Owner Kerry & Dawn
Location Movies-04
Storage Device TD 10
Purchased Apr 05, 2013
Quantity 1
Seen Jul 07, 2023
Added Date May 17, 2015 05:38:26
Modified Date Apr 17, 2024 00:45:53

Edition details

Screen Ratios 1.85 (16:9) Letterboxed
Audio Tracks Dolby Digital 5.1 - English
Dolby Digital 5.1 - French
Dolby Digital 5.1 - Spanish
Mono - English
Subtitles English | French | Spanish
Edition Release Date 2003

Notes

  • NBC edited 7 minutes and time-compressed 4 minutes of this film for its 1987 network television premiere.

  • There are significant differences between the first video releases (Thorn/EMI and HBO Video) and the 1991 Hemdale release in relation to picture, sound and end credits. The Thorn/EMI release has:
    • A blurry picture throughout

    • The entire film soundtrack played at the wrong pitch, which sounds like it was recorded on a cassette tape.

    • The Post Production and credit to Harlen Elison is inserted right above the copyright date and timed to roll along at the speed of the credits.


  • The HBO Video release has the same blurry picture and high pitch soundtrack with the following changes:
    • The post production credit rolls as soon as the movie fades to black. After disappearing, a black, cheaply done title card done with "1980s HBO Font" shows the Harlen Elison credit. The previous timed credit that appeared in the Thorn/EMI release has been blacked out and timed to run with the credits. The 1991 Hemdale release has the following:

    • Soundtrack restored to play at the correct pitch

    • Picture is sharp and clear. The 1991 Hemdale and the Artisan Entertainment release are identical.


  • The Finnish theatrical and first VHS release were rated 18 and cut by 30 seconds. The notable cuts were:
    • Terminator performing surgery on eye and arm

    • Bloody shoot-outs

    • Some other violent scenes Later on 16-rated VHS and DVD version were released, however first VHS was cut, but the other was uncut.


  • On the TV versions shown in the USA, the sex scene between Sarah and Kyle shows just their hands moving to the theme song that plays.

  • On the Region 6 Chinese DVD from Excel Media, the sex scene between Sarah and Kyle is completely cut.

  • Some TV versions include had a scene now missing from the release available on VHS, set inside the police station. Sarah Connor emerges from under Lt. Traxler's desk, revealing herself to Reese. In the next room they encounter Lt. Traxler, who is shot and bleeding on the floor. He hands Reese his Police Special revolver and tells him that he has to keep Sarah safe, (showing that he believes Reese).

  • In Germany, the film was put on the BPJM index for youth endangering media in the mid-80s. The result was that TV versions and many VHS releases were cut down for a "Not under 16" rating. The uncut version was practically only available in video rental stores. In 1998 the film was released on DVD in both its cut and uncut form. In 2010 the film was removed from the index and the film was re-rated, this time with a "Not under 16" rating for the uncut version.

  • In the Swedish theatrical version, the shot of The T800's eye actually falling out and into the sink has been cut.

  • The new MGM R1 DVD releases has two altered scenes, at the request of Lightstorm Entertainment, supposedly to fix goofs in the original picture: a scene set in the future, when a Terminator enters the rebel compound, has been flipped on its vertical axis; the scene where the Terminator leaves the motel in L.A. has been cropped/reframed so that his feet are no longer visible (this was done to fix a continuity problem: the original scene showed Schwarzenegger wearing shoes instead of boots as previously seen).

  • A television version shown in Canada uses a brief alternate take in the scene at the police station where Traxler is about to go talk with the news reporters. In the theatrical version when Traxler asks "how do I look?", Vukovich replies "like shit, boss". But in the television version, he replies "like you've been dead for a week".

  • When aired on USA and SCI-FI, the following alterations were made: when both Terminator and Reese arrive from the future, the supposed dirty mumblings of the witnesses (a garbage truck driver and a bum) have been edited. When the Terminator visits the first wrong Sarah, his original scene of him shooting her six times is changed to one shot with the BANG cut out. The scenes where Kyle hotwires the cars is edited, as is the scene of Sarah waitressing in the restaurant and a kid drops a spoonful of ice cream in her apron.

  • The Special Edition DVDs features the following deleted scenes:
    • A brief introduction to Sarah at work where she practices being a cheerful waitress.

    • A longer version of the killing of the first Sarah Connor, showing the T-800 walking away from the house in broad daylight, completely ignoring the horrified neighbors and witnesses.

    • A bunch of brief scenes showing Vukovich and Traxler in their police cruiser, as well as a scene where Reese and Sarah find Traxler shot. He gives Reese his gun and tells him that Sarah has to survive and he needs to do whatever has to to insure her safety.

    • A long scene where Sarah sneaks off and calls her mother and tells her to go and hide at the cabin. Afterwards, she looks through the phone book and finds Cyberdyne's address. Sarah asks Reese if they can attack the Cyberdyne building and make sure that the possible future never occurs. Reese declines and tells her it's not his mission. Sarah becomes angry and runs away and Reese chases her down. When she hits him to get away he pulls a gun on her, which she chastises him. Sarah breaks down, horrified of spending the rest of her life running from the Terminator. Reese breaks down crying over the beauty of nature, and the pain of knowing it's going to be later destroyed by the machines. Reese then agrees to destroying Cyberdyne.

    • A post-coitus scene showing Sarah tickling Reese and his confusion by the sensation, having never been tickled before.

    • Two removed scenes at the end, showing a technician finding a few parts of the remains of the T-800, and a longer version of the scene in which Sarah is placed in the ambulance, showing us that the computer factory is, in fact, Cyberdyne.


  • The film was originally mixed in mono due to budgetary limitations, so a new 5.1 digital stereo surround mix was created by Skywalker Sound for the 2001 special edition DVD. A large number of effects (like gunshots) were completely re-recorded and a possible continuity error was fixed: The sound of a door closing is added after the T-800 walks out of the police station, thus explaining why the door is no longer open when he returns in the car. This same 5.1 mix has been used for subsequent TV-airings and re-releases, including the 2008 Blu-ray.

  • When aired on TV, many alterations are made. Like when Terminator confronts the punks and orders them to turn over their clothes, Bill Paxton's response of "Fuck you, Asshole" is changed to "Eat this, scum!" (some versions remove the line altogether); The scene of Terminator ripping out the heart of one of the punks is removed and just shows him picking him up the cuts to Terminator glaring at another punk who willfully turns over his clothes; When Terminator first arrives and he walks towards the edge of the building to see the city, the camera is moved upwards to crop his buttocks, Reese's is also edited; The execution of Ginger is removed, instead just shows the one shot Terminator fired at her then she goes flying; Vukovich's remark of 'Like shit, boss' is changed to 'Like you've been dead for a week'; when Terminator knocks out a cop and takes his car, the part of Terminator banging the cop's head against the car is removed and just shows him throwing the cop into the street.

Tags

Ambulances Birds Chickens Dogs Gasoline Tanker Trucks Gory Heights Los Angeles CA Mexico Motorcycles Narration Pigeons Time Travel