Cast View all

	Boris Plotnikov	Boris Sotnikov
	Vladimir Gostyukhin	Nikolay Rybak
	Sergey Yakovlev	Pyotr Sych - Village elder
	Lyudmila Polyakova	Avginya Demchikha
	Viktoriya Goldentul	Basya
	Anatoliy Solonitsyn	Pavel Portnov - the Nazi interrogator
	Mariya Vinogradova	Village elder's wife
	Nikolai Sektimenko	Stas' Gamanyuk
	A. Chebotaryov	German officer with glasses
	Sergei Kanishchev	Boy wearing Budyonovka
	Vasili Kravtsov	German officer
	Mikhail Selyutin	Fascist collaborator
	V. Sokolov	Politzai
	Leonid Yukhin	Partisan detachment commander
	Aleksandr Zvenigorsky	German officer

Crew View all

Director	Larisa Shepitko
Writer	Vasiliy Bykov, Yuri Klepikov, Larisa Shepitko
Musician	Alfred Shnitke
Photography	Vladimir Chukhnov, Pavel Lebeshev

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Eclipse Series 11: Larisa Shepitko
The career of Larisa Shepitko, an icon of sixties and seventies Soviet cinema, was tragically cut short when she was killed in a car crash at age forty, just as she was emerging on the international scene. The body of work she left behind, though small, is masterful, and her genius for visually evoking characters' interior worlds is never more striking than in her two greatest works: Wings, an intimate yet exhilarating portrait of a female fighter pilot turned provincial headmistress, and The Ascent, a gripping, tragic wartime parable of betrayal and martyrdom. A true artist who had deftly used the Soviet film industry to make statements both personal and universal, Shepitko remains one of the greatest unsung filmmakers of all time.

The Ascent
The crowning triumph of a career cut tragically short, the final film from Larisa Shepitko won the Golden Bear at the 1977 Berlin Film Festival and went on to be hailed as one of the finest works of late Soviet cinema. In the darkest days of World War II, two partisans set out for supplies to sustain their beleaguered outfit, braving the blizzard-swept landscape of Nazi-occupied Belorussia. When they fall into the hands of German forces and come face-to-face with death, each must choose between martyrdom and betrayal, in a spiritual ordeal that lifts the film’s earthy drama to the plane of religious allegory. With stark, visceral cinematography that pits blinding white snow against pitch-black despair, The Ascent finds poetry and transcendence in the harrowing trials of war.

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