| 1. | Manhatta | 1921 |
| 2. | Return to Reason | 1923 |
| 3. | Rhythmus 21 | 1923 |
| 4. | Ballet Mécanique | 1924 |
| 5. | Symphonie Diagonale | 1924 |
| 6. | Emak-Bakia (Leave Me Alone) | 1926 |
| 7. | Ménilmontant | 1926 |
| 8. | Anémic Cinéma | 1926 |
| 9. | The Three-Sided Mirror | 1927 |
| 10. | The Starfish | 1928 |
| 11. | Accident | 1928 |
| 12. | The Seashell And The Clergyman | 1928 |
| 13. | Ghosts Before Breakfast | 1928 |
| 14. | The Life And Death Of 9413, A Hollywood Extra | 1928 |
| 15. | The Mysteries of the Chateau de Dice | 1929 |
| 16. | Autumn Mists | 1929 |
| 17. | Rain | 1929 |
| 18. | H2O | 1929 |
| 19. | Sentimental Romance | 1930 |
| 20. | Autumn Fire | 1931 |
| 21. | Lot In Sodom | 1933 |
| 22. | The Hearts Of Age | 1934 |
| 23. | Even: As You And I | 1937 |
| 24. | Le Vampire | 1945 |
| 25. | Le Tempestaire | 1947 |
Three fellows dream of prize money and a chance for a real Hollywood contract by winning the Liberty-Pete Smith amateur movie contest. They work on a script, as their wastebasket and ashtrays fill. They head outside to shoot: down a manhole, up a telephone pole, through a keyhole, and at night using binoculars. Next they must edit their film, then it's time for a first screening of their product, "The Afternoon of a Rubberband." It's a montage of experimental images, including a razor blade cutting various objects, a baby in a cooking pot, and a snail in the path of a steamroller. After the screening, the boys wonder if that was their only shot at Hollywood fame. Preserved by the Academy Film Archive in 2004.
| Director | Roger Barlow |
|
| Harry Hay |
|
|
| LeRoy Robbins |
|
|
| Photography | Hy Hirsh | |
| Nr Discs | 1 |
|---|---|
| Regions | Region 1 |