1924
Animation | Experimental | Short
Germany | English | Color | 00:05
| 1. | Manhatta | 1921 |
| 2. | Return to Reason | 1923 |
| 3. | Rhythmus 21 | 1923 |
| 4. | Ballet Mécanique | 1924 |
| 5. | Symphonie Diagonale | 1924 |
| 6. | Emak-Bakia (Leave Me Alone) | 1926 |
| 7. | Ménilmontant | 1926 |
| 8. | Anémic Cinéma | 1926 |
| 9. | The Three-Sided Mirror | 1927 |
| 10. | The Starfish | 1928 |
| 11. | Accident | 1928 |
| 12. | The Seashell And The Clergyman | 1928 |
| 13. | Ghosts Before Breakfast | 1928 |
| 14. | The Life And Death Of 9413, A Hollywood Extra | 1928 |
| 15. | The Mysteries of the Chateau de Dice | 1929 |
| 16. | Autumn Mists | 1929 |
| 17. | Rain | 1929 |
| 18. | H2O | 1929 |
| 19. | Sentimental Romance | 1930 |
| 20. | Autumn Fire | 1931 |
| 21. | Lot In Sodom | 1933 |
| 22. | The Hearts Of Age | 1934 |
| 23. | Even: As You And I | 1937 |
| 24. | Le Vampire | 1945 |
| 25. | Le Tempestaire | 1947 |
A tilted figure, consisting largely of right angles at the beginning, grows by accretion, with the addition of short straight lines and curves which sprout from the existing design. The figure vanishes and the process begins again with a new pattern, each cycle lasting one or two seconds. The complete figures are drawn in a vaguely Art Deco style and could be said to resemble any number of things, an ear, a harp, panpipes, a grand piano with trombones, and so on, only highly stylized. The tone is playful and hypnotic.
| Director | Viking Eggeling |
|
| Nr Discs | 1 |
|---|---|
| Regions | Region 1 |